Billy because it tells you that his father had 5 children so he is the fifth.
Characters operate within the constraints of their circumstances. Two characters that may otherwise be friends may be turned against each other by mutually exclusive objectives or hostile circumstances. For example, Mercutio and Thibeault in "Romeo and Juliet" display similar values and would perhaps have gotten along, were they not allied with warring families.
George and Lenny in Of Mice and Men also display an interesting relationship. They are very different, but in need of one another in unique ways. They are both in difficult economic circumstances, and have disproportionate advantages (George's intellect, Lenny's strength).
The circumstances characters are in dictates, to an extent, the relationship between characters, because it dictates whether the characters offer an facilitation or obstacle to one another's objectives. Even within a play, a change in the situation and thus the calculus of the characters can change the dynamic between them.
From "Sitting through history: Chair designs through the ages reflect changes in materials, technology and society" one fact that is correct and interesting is that chairs moved from being functional to being both functional and decorative.
In the present day, the functionality of the chair has expanded beyond just sitting for comfort but also incorporates elements of health and fitness with the introduction of back electric- massagers.
<h3>What is the above capture?</h3>
The subject captures the evolution of chairs over history partly influenced by necessity and partly influenced by shifting political power.
Thus, it is correct to truly state that the chair has an interesting place in history.
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<h2><u>Answer:</u></h2>
The Death of Marat (French: La Mort de Marat or Marat Assassiné) is a 1793 painting by Jacques-Louis David of the killed French revolutionary pioneer Jean-Paul Marat. It is an amongst the most acclaimed pictures of the French Revolution.
David was the main French painter, just as a Montagnard and an individual from the progressive Committee of General Security. The artistic creation demonstrates the extreme columnist lying dead in his shower on July 13, 1793, after his homicide by Charlotte Corday.
Painted in the months after Marat's homicide, it has been depicted by T. J. Clark as the main pioneer painting, for "the manner in which it accepting the stuff of legislative issues as its material, and did not transmute it".
