Answer:
It took four people to create the Japanese woodcut because according to the Japanese tradition, woodcut is an important print that required the efforts of four people for perfection. Unlike other paintings, the woodcut is very complex.
Explanation:
One of the oldest forms of print-making is the woodcut. It is made when an image is cut into a wooden surface, put in ink, and printed on another surface like fabric.
The Japanese woodcut prints were created by a collaboration between four people namely; an artist, a publisher, a printer and a block cutter.
This print is known as <em>ukiyo-e </em>prints. It involved the division of labor as the Printer printed with water inks, the Publisher financed, the block cutter carved blocks and the artist drew the colors.
Answer:
Hello my name is john. This is my first week as a Confederate soldier. I've seen lots of things. My friends, my comrades, even my family die in front of my eyes. But one thing I learned is that the sun is killing more people than I ever can or will. This was a lont first week but as my wish to serve. My passion to end slavery is stronger.
Explanation:
Explanation:
Vincent van Gogh (Dutch, 1853-1890), The Poplars at Saint-Rémy, 1889. Oil on fabric, 24¼ x 17 15/16 in. The Cleveland Museum of Art; Bequest of Leonard C. Hanna, Jr., 1958.32
A recent trip to south Florida occasioned what has become a routine sojourn for me, a stopover at the Norton Museum of Art.
At the Norton, van Gogh’s The Poplars at Saint-Rémy is overwhelmed twice, first by its ornate antique frame, then by its installation on the third floor. Softly lit, it inhabits its own grey-painted gallery, a pearl in an oversized jewel box. It doesn’t help that the landscape’s colors are relatively sedate for a late van Gogh, relying on white to suggest terrain bleached by sunlight. The central two poplars are enclosed within a diamond-shaped design circumscribed by skyline above and crossing diagonals of rock-strewn land below. It is an inherently unstable composition, harmonized by color, the blue sky repeated in ground plane shadows and the blanched earth tones picked up in clouds. There is perhaps no way to write about van Gogh’s brushwork, idiosyncratic and instantly recognizable, without resorting to banalities; suffice to say that his sense of urgency demanded an entirely novel handling of paint. The Poplars at Saint-Rémy was made in a single session, a feat of compressed intensity.
Sharing a gallery with two other works by the artist, Degas’s Portrait of Mlle. Hortense Valpinçon resides more comfortably in its ground floor setting. The story of its production is no less remarkable than that of the van Gogh; leaving Paris during the barricades of 1871, Degas arrived at the Valpinçon country home without a canvas, and apprehended some mattress ticking upon which to paint his friend’s nine-year-old daughter. She leans into a sideboard and surveys us with unusual self-possession for one so young, holding in her right hand what has been variously described as a slice of fruit or a coin.
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Answer:
a parachute makes a gliding motion because parachutes store air in them which is made to slow down falling
Explanation:
Answer:
In a paragraph that is justified, text is aligned with both margins.
Explanation:
justified—text is aligned along the left margin, with letter-spacing and word-spacing adjusted so that the text falls flush with both margins, also known as fully justified or full justification; centered—text is aligned to neither the left nor right margin; there is an even gap on each side of each line.
