Mr. Raymond thinks this, because Scout and Dill have not yet been alive long enough to become corrupted and hateful. The adults in Maycomb have built up years of gossip and prejudices, but Raymond sees young children such as Scout and Dill as a type of clean slate, who can still be educated about the way others live, and can understand things differently than the others in town.
Answer:
Linking verb. That should be right.
Answer: Teenagers by nature have a tendency to be more reckless and allowing them to play dangerous sports is a risk.
Explanation:
After this you need to find some sources to draw off, maybe throw in a statistic about how people in adolescence's brains aren't fully developed yet and can lead to more risktaking. Not sure what your argumentative stand is on this but you need to summarize your points from earlier without saying exactly the same thing.
This is a short modernist fiction that celebrates the life of the imagination, and points to its shortcomings. As a narrator, Woolf was in the habit of thinking aloud and talking to herself, as well as to her imaginary readers. Here she takes the process one stage further by ‘talking’ to her own fictional creations.
She also shows the process of the artistic imagination at work, raising doubts about its own creations, asking questions, and posing alternative interpretations. She even develops lines of narrative then backtracks on them as improbable or cancels them as invalid, mistaken interpretation, or rejects them as inadequate.
In other words, the very erratic process of ratiocination – all the uncertainties, mistakes, hesitations – are reproduced as part of her narrative. She even addresses her own subject, silently, from within the fictional frame, and reflects on fictional creations which ‘die’ because they are rejected as unacceptable:
Loss and discover and ethical reform
