Answer:
First, I see the light beaming down on me through the leaves. It seems I'm growing bigger and bigger. Turning more and more orange. A big figure casting an illuminating shadow comes and rips the nutrient source away from me. He then tosses me on a big trailer with some of my companions and some strangers I've never seen before. There weirdest feeling happens next that makes me almost sick. Then, The big figure takes me and the others off the trailer and onto a big hollow rectangular thing. The same weird feeling occurs as when I was on the trailer. A new big figure appears and takes me off and puts me in the bottom of a box. After that, waiting for what feels like and eternity a smaller new figure picks me up and says some gibberish. I one again experience that weird feeling I had on the trailer. Finally, The little figure picks me up once again and sits me down on a cold hard surface. I hear her speak gibberish to other figures as they lay out an assortment of tools next to me. What is this awful sensation on the top of my head! They're scraping my insides out now! This is the worst sensation I have ever experienced! Now they're cutting my face! The last thing I see is that evil little figures smile as she cuts into me and scraps my guts out.
Explanation:
The scene with the gravediggers illustrates the play’s broader theme of mortality. In the first part of the scene, two gravediggers discuss the burial of people who have taken their own lives and how the Christian system is flawed in disallowing suicide. Hamlet and Horatio then look at the remains of the many dead bodies and reflect on the certainty of death for all people. In death, we are all the same. For example, a woman may go to great ends to beautify herself in life, but her remains after death may look like any ordinary person’s remains. Hamlet and Horatio also discuss how a person's greatness ceases to matter when he or she dies. Hamlet refers to Alexander the Great being buried and becoming one with the sand.
Yorick’s skull acts as a symbol of death. With the skull in his hand, Hamlet reminisces about the time he spent with Yorick. Now, in death, Yorick is nothing more than a pile of bones, with no wit, humor, or intelligence. Earlier in the play, Hamlet spent much time mulling over death and wondering what came after death. Yorick’s skull answers that question for Hamlet.
The skull and the graveyard directly contrast with the life Hamlet led in the castle. In Elsinore, Hamlet’s mother and Claudius tried to make him forget about his father's death. In the graveyard, he has the freedom to contemplate death.
"Like sparks from a blacksmith's window" refers to the sparks that happen when a blacksmith is working. The meaning depends on the context. The context should usually be something like anger, exploding anger, or it could be excitement...
The correct answer is A. This is the case of using comma before a coordinating conjunction <em>and</em> because it links two independent clauses. We can observe that there two parts of this full sentence and each part is independent from each other. Both of them have their own subject and verb. Therefore, we are using a comma before <em>and</em>.
