The above sentence changes to a passive voice, thus:
<em>"Their command of English should have increased considerably if sufficient time and attention were given by students to their work."</em>
The passive voice always follows this pattern: Object + Verb + By Phrase.
When the emphasis is not on the doer but the object of the action, the passive voice is used.
In the above sentence, the passive voice emphasized "their command of English" and "sufficient time and attention," which are objects of the sentence.
Students, who are the doers of the actions, were relegated to the background because the emphasis is not on the doers but the objects of the action.
Thus, the passive voice is always used when the object must be emphasized.
Learn more about the usage of the passive voice here: brainly.com/question/22047439
Answer: the poem seems unplanned and chaotic.
In "Poem," author Muriel Rukeyser tells us that she "lived in the first century of world wars." The main idea of the poem is how this was an era of madness ("I would be more or less insane," "more or less mad for similar reasons," "a nameless way of living," "unimagined values," "the lights darkened... the lights of night brightened"), and how the people were deeply affected by this madness and by the wars. The fact that the poem is written in free verse contributes to this mood of confusion by making the poem seem unplanned and chaotic.
Answer:
This phenomenon is better explained by mass hysteria
Explanation:
Mass hysteria is a phenomenon whereby false information rapidly permeates among many people in the society or environment as a result of suspicion, rumors and fears caused by environmental, political, or other types of unfortunate incidences. In many instances, whenever there is mass hysteria, there is also a collective illusion about threats that don’t actually exist. The term “mass hysteria”—associated with masses of people—is also known by other names such as group hysteria, collective hysteria, mass psychogenic illness, or collective obsessional behavior.
