Answer:
<em>The Giver </em>was never a utopia.
Explanation:
In Lois Lowry's <em>The Giver</em>, we are introduced to a community that follows the idea of sameness. The citizens see no colors--literally. It was only until our main character, Jonas, recognized that the color of his friend's hair looked <em>odd. </em>The oddness of her hair was the same as the oddness of an apple.
The idea of Jonas' community was for it to be a utopia where everything is perfect and everyone is happy. There was no pain. No discrimination. No odd deaths. That is a utopia. But, the community was actually a <em>dystopia.</em><em> </em>It seemed perfect on the outside, but no one experience joy or love or any of the things we do. No one felt or cared for anyone. They were assigned jobs. Jobs that they'd work for the rest of their miserable life. The may have not experienced pain or injustice, but that came at a cost--the memory of society.
An example of dramatic irony would be answer A: Romeo thought Juliet was dead when he poisoned himself, but the audience know she was alive
Dramatic irony is when the audience knows something the characters do not.
I do not think that Shakespeare sees evil as stronger than good or human
understanding because in the end, Scotland is returned to her rightful
king and Malcolm is an element of good in the play. Macbeth certainly
is taken over by his greed and ambition, and a sense of evil gets the
better of him and clouds his good judgment. However, evil overall does
not reign supreme, and the audience sees the harm that evil has caused
to Macbeth throughout the play. He has lost his wife, the loyalty of
his subjects, and his integrity. Macbeth knows that he should grow old
in the company of friends, but he acknowledges that he is now alone. So
evil does not overcome good in the end--evil leaves Scotland with the
beheading of Macbeth.
- hope this helps
Answer: Bet
Explanation: Beginning fifth grade at Beecher Prep, Auggie needs simply to be treated as a conventional child—however his new colleagues can't move beyond his phenomenal face. Marvel starts from Auggie's perspective, however before long changes to incorporate the points of view of his schoolmates, his sister, her beau, and others.
The council IS arguing among themselves
