Answer:
there is a train track by my house.
there is a sushi place near the movie theatre.
there are 90 cats in the shelter right now.
there is a green car in front of my school.
there is a red train by my school.
there are many chairs in the theatre.
there are 15 dogs playing in the field.
there is no reason to skip school.
there are plenty of treats for us.
there is a plane in the sky.
Explanation:
yaaa
Answer:
The author might create tension in a story to give the reader that feeling that something is going to jump out or just to give us a feeling of worry for a character.
Explanation:
In an essay published in 1961, Robert Kelly coined the term "deep image" in reference to a new movement in American poetry. Ironically, the term grew in popularity despite the critical disapproval of it by the group's leading theorist and spokesperson, Robert Bly. Speaking with Ekbert Faas in 1974, Bly explains that the term deep image "suggests a geographical location in the psyche," rather than, as Bly prefers, a notion of the poetic image which involves psychic energy and movement (TM 259).1 In a later interview, Bly states:
Let's imagine a poem as if it were an animal. When animals run, they have considerable flowing rhythms. Also they have bodies. An image is simply a body where psychic energy is free to move around. Psychic energy can't move well in a non-image statement. (180)
Such vague and metaphorical theoretical statements are characteristic of Bly, who seems reluctant to speak about technique in conventional terms. Although the group's poetry is based on the image, nowhere has Bly set down a clear definition of the image or anything resembling a manifesto of technique. And unlike other "upstart" groups writing in the shadow of Pound and Eliot, the deep image poets-including Bly, Louis Simpson, William Stafford, and James Wright-lacked the equivalent of the Black Mountain group's "Projective Verse," or even, as in the Beats' "Howl," a central important poem which critics could use as a common point of reference. This essay, then, attempts to shed some light on the mystery surrounding the deep image aesthetic. It traces the theory and practice of Robert Bly's poetic image through the greater part of his literary career thus far.
Answer: Fire obstructed the doorways, so there was not prospect of escape.
Explanation:
Never
Greyhounds will most likely want to run again.
