The opening line of the poem is the first line of the poem, which is called the first verse.
<h3>What is a verse?</h3>
Although verse refers to a single poetic line, the term is increasingly used to refer to the poetic form in general. Formally, a verse is a single metrical line in a poetry poem.
Verse, on the other hand, has come to denote any grouping of lines in poetic writing, with groupings generally referred to as stanzas. In contrast to prose, verse in the uncountable (mass noun) sense refers to poetry.
Therefore, the first line of the poem, known as the first verse, is the poem's opening line.
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Rome was initially a city-state with about 50 square miles of territory to sustain itself. With small farms, the citizens could not split them up between their sons and so sought extra land for them. The surrounding city-states were bent on the same need, so they clashed, with Romme losing some, but on average winning most fights. As winners they took land and expanded.
<span>This expansion created more strife, and expansion, leading to dominance of Italy. As a rising power, cities in southern Gaul (France), Spain and Sicily sought Rome's assistance, and as a land power it allied itself with Carthage, a sea power. This arrangement came to an end when Rome supported Greek cities in Sicily against Carthaginian encroachment. A win in the First Punic (Carthaginian) War put the Romans on the path to empire, which was consilidated with the extirmination of Carthage in the Third Punic War in 146 BCE. At this stage Rome dominated the Western Mediterranean. </span>
If US settlers decided to settle in Texas, they would be covered by the Mexican Colonization Law that stated that they could get large pieces of land cheaply, they would have tax cuts, and they would also have increased protection from the Mexican government.
Answer:
By persuading the Parliament to take their concerns seriously.
Explanation:
Hey there!
The colonial leaders wanted to have a petition with the Parliament, with as much power possible.
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Answer:
Explanation:
From roughly 1919 to 1935, the literary and artistic movement now known as the Harlem Renaissance produced an outpouring of celebrated works by Black artists and writers.
Relatively recent scholarship has emphasized not only the influence gay social networks had on the Harlem Renaissance’s development, but also the importance of sexual identity in more fully understanding a person’s work and creative process. Key LGBT figures of this period include, among others, poets Langston Hughes, Countee Cullen, and Claude McKay; performers Ethel Waters, Edna Thomas, and Alberta Hunter; intellectual Alain Locke; literary salon owner Alexander Gumby; and sculptor Richmond Barthé.
This curated theme features a selection of literary salons, neighborhood institutions, public art, and residences that reflect the impact of the Black LGBT community on one of the 20th century’s most significant cultural movements.