Answer:
the first example of man vs nature in huckleberry Finn is when after jim and Huckleberry escape a town. Jim predicts that a storm is coming, two days later it does and they end up in a flood.
The rest also deal with the river as it is their greatest enemy throughout the book.
Explanation:
I think it’s d for the answer
Answer:
Donne uses the extended metaphor of a ‘city’ not only in ‘Holy Sonnet XIV’ but also in ‘Loves War’. In this Elegy which was written in Donne’s youth, he describes a ‘free City’ which ‘thyself allow to anyone’ – a metaphor for how anyone can enter a woman [ii] – and goes onto say how in there he would like to ‘batter, bleeds and dye’. Here, Donne is controlling the ‘city’ and taking over it himself, however, if Donne intended to use this same metaphor in ‘Holy Sonnet XIV’, the roles have changed and it now signifies how it is Donne who needs to be seized by God’s spirit. Furthermore, this represents how Donne’s life and therefore attitude has changed between writing these poems; he used to feel in control but now he is controlled.
The physical verbs that are used immediately sets the violent theme of the octave. The spondaic feet emphasizes Donne’s cry for God to ‘break, blow’ and ‘burn’ his heart so he can become ‘imprisoned’ in God’s power, creating a paradoxical image of a benevolent God acting in a brutal way. He uses a metaphysical conceit to explain how he is ‘like an usurp’d town’ with God’s viceroy (reason) in him. This imagery of warfare that pervades the sonnet symbolises his soul at war with himself; only if God physically ‘overthrow’s’ Donne and ‘batters’ his sinful heart will he be able to ‘divorce’ the devil. It was around the time of writing this poem that Donne renounced his Catholic upbringing which gives evidence to the assumption that the sin he was struggling with began to overpower his Christian beliefs and needed God become as real to him as God was to his respected Catholic parents. Furthermore, in ‘Holy Sonnet XVII’ Donne exclaims how ‘though [he] have found [God], and thou [his] thirst hast fed, a holy thirsty dropsy melts [him] yet. This reveals that Donne feels that even though he has found God, his yearning is not satisfied which gives evidence towards the assumption that he is crying out for spiritual ecstasy. This paradox between freedom and captivity was most frequently written about by most prison poets such as Richard Lovelace [iii] Donne wrote, ‘Except you enthrall me, never shall be free’ which implies the same idea as Loveless in ‘To Althea, From Prison’ that true freedom is internal, not external, symbolising his struggle with sin whilst he is physically free.
Answer:
Sounder tells the story of an African American boy, his family, and their beloved coonhound. As in author William H. Armstrong's book, none of the main charac- ters has a name-except the dog, Sounder.
" 'Sounder and me must be about the same age,' the boy said, tugging gently at one of the coon dog's ears, and then the other," the book tells us as it introduces this canine who is named for his bark that resonates across the countryside when he trees a raccoon or opossum.
Sounder is not a true story, but it is an accurate piece of historical fiction about a black sharecropper's family in the southern area of the United...
The boy hears his father may be in Bartow and later Gilmer counties, but the author does not specify where the boy lives. Sounder won the Newbery Award in 1970 and was made into a major motion picture in 1972.
ExplPatterned after a story told to Armstrong by an older school-teacher, the novel is concerned, in part, with the family's loyal coon dog named Sounder—named for his resonant howl that reverberates across the country-side—whose fate in many ways parallels the life of the narrator's unjustly treated father.
Answer:
C
Explanation:
Since her mom already fed the cats, Hoa doesn't have to. It's already done.
