17 - 5(2x - 9) = -(-6x + 10) + 4
On the right side of the equation, there is a negative sign infront of the parentheses. This means that you are multiplying the parentheses by -1.
17 - 5(2x - 9) = (6x -10) + 4
The 6x is positive because a negative times a negative is positive. The 10 is negative because a negative times a positive is a negative. Now, combine the like terms on the right side of the equation by adding -10 and 4 together.
17 - 5(2x - 9) = 6x - 6
Now that you have simplified the right side of the equation, move to the left side. Start with multiplying 5 times (2x - 9) using the distributive property.
17 - (10x - 45) = 6x - 6
After that, combine the like terms by subtracting -45 from 17. Because you would be doing 17 - -45, you would change all signs because when you subtract with negatives, you have to change the signs. Due to the change of the signs, you are just adding 17 and 45 together.
62 + 10x = 6x - 6
Now, you need to get the x's on one side and the whole numbers on the other side. Begin by subtracting 6x from both sides.
62 + 10x = 6x - 6
-6x -6x
62 + 4x = -6
Now, subtract 62 from negative 6. Remember to change the signs. You will end up with -6 + -62.
4x = -68
Finally, divide both sides by 4.
<u>4x</u> = <u>-68
</u>4 4
x = 17
Final Answer: x = -17
Answer: 33.3%
s Step-by-step explanation: The combined arc length of the red area is 120, which is 1/3 of 360, the full arc. So the probability is 1/3, or 33.3%. Hope this helps!
Answer:
Picture a simple scene with a person standing before a landscape. If you photograph them from your eye level, the photograph looks exactly like what a passerby would see with their own eyes as they walk past you, the photographer, capturing an image of your friend. Now, this photograph can be fine—depending on the execution—but think about how you can change the composition by altering your viewpoint.
You can change your elevation. Kneel down and take a photo. Or, hold the camera above your head and shoot down on your subject. Move right. Move left. Go aside your subject or behind them. Get closer. Get further away. Roll diagonally right or left. Notice how the background shifts. Notice how things are added to or eliminated from the foreground. Most importantly, notice how the photograph you capture is no longer something that a casual passerby would see.
Subtle changes in viewpoint can add a deeper meaning or feeling to an image. When is the last time you saw a photograph of the President of the United States seated behind the Resolute desk in the Oval Office, taken from above his or her head? By shooting lower, the photographer emphasizes an iconic vantage point, signifying the power of the office. You will be hard pressed to find a photograph of the Oval Office where the camera is positioned higher than the President. On the contrary, if you were to photograph a young student being scolded at his desk, you would likely shoot the image from a higher viewpoint—from the vantage point of the dean or principal about to assign punishment—or you would chose the lower perspective from the student’s point of view with the towering power figure looming overhead.
Changing your viewpoint is a photographer’s great advantage. We see the world from eye level—be it walking around the city, driving down a country road while seated in a car, or bicycling through a village—and that level is relatively the same for all adults. The photographer, however, can give us a child’s eye view of a scene, a bird’s eye view, or even a viewpoint that is literally unique to the camera, as the human eye cannot physically reach the position. Use this freedom to your aesthetic advantage and make images from creative viewpoints.
:
Answer:x=-1
Step-by-step explanation:
