The personification is: “deathly oppressive silence hangs over the house and clings to me as if it were going to drag me into the deepest regions of the underworld”
The extended metaphor is the line from “I wonder from room to room” to “a voice within me cries”, so the last 7 lines (sorry I didn’t feel like writing the quote out).
Anne is forced to stay in the house/attic every day to avoid being discovered. The attic itself is cramped and stuffy, especially with the 8 other people living there. She feels like a caged animal (a caged songbird in this case) because she is never allowed into the outside world.
Our Town by Thornton Wilder is a modernist play because it explores the transience of human life, in a sense that the characters in the play highlight the significance of the little things that they do in their daily lives. The play is also narrated through the view of a stage manager which openly tells the audience about how the stage is designed and what each prop is meant for. The stage manager is a character both inside and outside the play which blurs the wall between the reality that what the audience is about to see is fictional, and the fiction that the play is supposedly real in the character's point of view. This characteristic of the play destabilizes the line between fact and fiction and is considered a modernist play based on that setting itself, among all other themes of the play.
Answer:
D. A prententious suburban neighborhood
Explanation: The space was a kind of meadow, framed by two mansions, each so abundant with backyard paraphernalia, Nathan felt as if he’d entered the prop closet of a studio dedicated to making movies <u>about suburban American excess.</u>
Answer:
Permeable rock layer
Explanation:
Seems like the only option that truly makes sense.
The answer is competitor.
