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shutvik [7]
3 years ago
15

The Italian dynamic markings that are used to represent very soft, soft, and very loud, are, respectively pianissimo, forte, for

tissimo. piano, mezzo forte, and forte. pianissimo, piano, and fortissimo. mezzo piano, forte, and fortissimo.
Arts
1 answer:
const2013 [10]3 years ago
8 0
It’s Pianissimo, Piano, Fortissimo
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Paul Cézanne was particularly concerned with:
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A. order and composition.

Explanation:

<u>Paul Cézanne</u> was a French post-impressionist painter who was mostly active at the end of the 19th century. He is often taken to be the one who made the basis for cubism and was its early influence. This is because his work is <u>regularly exploring shapes, objects, and their relationship</u>. Through his art, he dealt with the subject of the analysis of the form and its order. He was very concerned with the <u>composition</u>, often relying on the classic, <u>geometrical </u>and <u>proportioned </u>solutions, as well as symmetry.

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What does the following proverb mean?Proverbs 25:21-22: If thine enemy be hungry, give him bread to eat; and if he be thirsty, g
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Answer: Basically what that passage is saying is that help your brothers out of the kindness of your heart not just because you want something out of it, and god will reward you.:)

Explanation: i grew up in church so ive heard and read this passage multiple times :)

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3 years ago
What is my fav food<br> pizza<br> fruit salid<br> eggs and Bacon
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your favorite foood is food,

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What is your fav artist and tell me about them because i need this for an essay.
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Answer:

My favorite artist is Edward Munch. Edward Munch was a Norwegian painter. Born in 1863 and died in 1944. I like Edward munch mainly because of the expressionism of his paintings. His paintings don't look realistic at all but have an emotional feel coming from them.

Explanation:

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2 years ago
Which ballerina performed the following pieces inspired by natural images: Dragonfly (1915), California Poppy (1915) and the bes
koban [17]

Answer:

Michel Fokine (1880 – 1942)

Explanation:

He entered in 1889 at the Marinsky Imperial Theater Ballet School in St. Petersburg, where he graduated in 1898, and, almost immediately, became part of the company. He soon stood out for his magnificent technique and expressiveness, which allowed him to ascend to a solo dancer in 1904 and to a school teacher the following year. Almost simultaneously, Fokine began his career as a teacher and choreographer, with the Ballet Dream of a Summer Night (Mendelssohn, 1902), Acis and Galatea (Kadletz, 1905) and La Viña (Rubinstein, 1906), staged by Your own students.

In 1905, the dancer Anna Pavlova commissioned a ballet for a concert in the Hall of Nobles in St. Petersburg. Fokine created for her The Death of the Swan (Saint-Saëns, 1905), a two-minute solo that became the symbol of the new reform of Russian ballet, tending to abandon the classical formulas of Marius Petipa.

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According to him, the only reason for the technique was to serve expression, and music must be entrusted to true composers and not to simple compositional professionals; Only then would ballet achieve a complete unit of expression of all its elements. Thus, when in 1909 Diaghilev invited him to join the Ballets Russes as the main choreographer, Fokine accepted willingly, because he could finally put his ideas into practice, which rejected conventional mimicry and advocated the integration of dance, music, plot, scenery and costumes in one unit.

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