Charise, who has just studied personality psychology in school, corrects Noreen by saying
a. "You're probably right, Noreen. Freud was really into subconscious motives."
Explanation:
In Sigmund Freud's theory subconscious is present as the plane of consciousness that is not readily accessible but operates from the back of our minds and makes sense of our actions that do not seem done consciously.
One of the telltale signs of this is actions like this which have little basis in actual reasons but people do anyway because they enjoy them or their subconscious is telling them to do them. One of these is also the famous Freudian slip
Answer:
Wassammmmmmmmmmmmmmmmmmmmmmm
Cardiovascular diseases such as atheroscelerosis and hypertension
Cardiovascular diseases are series of diseases that occur due to narrowed or blocked blood vessels which can result in chest pain, heart cold or stroke. Excess free radicals play an important role in the initiation and progression of cardiovascular diseases such as atheroscelerosis by damaging the blood vessel walls.
.
Answer:C
indecision
According to the passage, in Shakespeare’s tragedies, “A tragic flaw is a defect in a character that leads to his or her demise and, often, death at the end of the play. In Shakespeare’s tragedy Hamlet, the main character Hamlet’s indecision over whether to avenge his father’s death leads to his downfall.” This shows that Hamlet’s tragic flaw is his indecision.
Explanation:
The major breakthrough in the study of dreams came in 1953 when researchers Eugene Aserinsky and Nathaniel Kleitman studied and discovered what happens when a person falls asleep.They found that the body enters into a psycho-physiological state in intervals of 90 minute cycles during sleep. This physiological state consists of heightened brain activity, Rapid Eye Movement (REM), increased breathing, a temporary paralysis of the body and genital engorgement. Through experiments, they confirmed that these physiological observations were the result of the person being in the dream state.
