<h2>These six words were written by Ernest Hemingway, Arthur C. Clarke, or The Spokane Press doesn’t really matter. It’s a premier example of everything fiction’s shortest form can do.</h2>
<h2>In a world of novels, essays, and short stories, flash fiction is underdog prose. Scarcely discussed and often poorly defined, it becomes that much more exciting, edgy, and experimental. Twist endings and sudden violence are hallmarks of the form, where just six words can allude to the tragic death of a child.</h2>
<h2>Flash fiction is dangerous — it asks the writer to surrender all safety nets and let a mere smattering of sentences speak for themselves. But it can also be extremely rewarding, if done right. Before we get into that, however, let’s gauge what it actually is.</h2>
<h2>Mark me as brainliest ❤️</h2>
Answer:
The word choice in the sentence adds to the development of the story by providing descriptive imagery. By doing this, the author allows readers the ability to visualize detailed images of the text in their heads.
<em>"Heart of Darkness"</em>, written by Joseph Conrad in 1889 in England, has been criticized as racist <em>"for the way the author describes poorly every person he writes about and miscast the Europeans as the victims of colonization", </em>according to Nigerian Author Chinua Achebe.
In his essay <em>“An Image of Africa: Racism in Conrad’s Heart of Darkness” </em>(1977), the Nigerian author commented that the vision of Conrad was as racist as other African stories on the 19th century.
Another argument the author expresses is that the book emphasizes Europe’s idea of superiority over Africa.
That is why some people consider "Heart of Darkness" as racist.
