Answer:
My favorite outfit is one with some black khakis, a blazer, a white shirt and a belt. The Designer made my pants not tight to my skin but kinda loose, he also made my belt a perfect fit around my waist, another thing is the shirt is easy to slip in and out, and finally my balizer is not tight and it has a little pocket for a kerchief. Thank you for your time.
Explanation:
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Answer:
Post-impressionism was the movement that experimented with form, light, and techniques, parting with previous traditions. It was the first one to introduce many new things in art, and it paved the road to abstract art. Cezanne was the one who most influenced the first abstract art movement, cubism, with his art that broke the perspective and explored geometrical forms of the objects.
Explanation:
Post-impressionism was the art movement dominant at the end of the 19h and beginning of the 20th century. While impressionism before it was focused on natural light and color,<u> post-impressionism was the direct answer to it and rejected these elements. </u>While a wide array of different artists belong to this movement, they all have a similar <u>subjective point of view that presents the reality through their eyes, significantly stylizing it for the painting. </u>Post-impressionis<u>t focused much more on symbolicism and abstraction of the forms while presenting the display in various new techniques (such as chromoluminarism as well as pointillism).</u>
<u>Paul Cezanne has directly influenced the Cubist movement, the first abstract art style and one of the most famous movements.</u> Cezanne’s work focused mostly on the <u>form and abstraction of the elements</u> while exploring <u>multiple perspective points on one piece of work</u>. This was later very present in cubism and abstract art. Cezanne was the first to break the perspective rules, trying to create objects through geometric elements and volume down the three-dimensionality. He could even be considered the first abstract painter in art history
The Two Fridas (Las dos Fridas in Spanish) is an oil painting by Mexican artist Frida Kahlo. The painting was the first large-scale work done by Kahlo and is considered one of her most notable paintings.[1] It is a double self-portrait, depicting two versions of Kahlo seated together. One is wearing a white European-style Victorian dress while the other is wearing a traditional Tehuana dress.[1] The painting was created in 1939, the same year that Kahlo divorced Diego Rivera,[1] although they remarried a year later.
Some art historians have suggested that the two figures in the painting are a representation of Frida's dual heritage.[2] Her father, Guillermo Kahlo, was German; while her mother, Matilde Calderon, was Mestizo (a mix of Spanish and Native American).[3] Another interpretation is that the Tehuana Frida is the one who was adored by her husband Diego Rivera, while the European Frida is the one that was rejected by him.[4] In Frida's own recollection, the image is of a memory of a childhood imaginary friend.[5]
Both Fridas hold items in their lap; the Mexican Frida holds a small portrait of Diego Rivera, and the European Frida holds forceps. Blood spills onto the European Frida's white dress from a broken blood vessel that has been cut by the forceps. The blood vessel connects the two Fridas, winding its way from their hands through their hearts.[6] The work alludes to Kahlo's life of constant pain and surgical procedures and the Aztec tradition of human sacrifice.[6] Because this piece was completed by Kahlo shortly after her divorce, the European Frida is missing a piece of herself, her Diego.[4]
According to Kahlo's friend, Fernando Gamboa, the painting was inspired by two paintings that Kahlo saw earlier that year at the Louvre, Théodore Chassériau's The Two Sisters and the anonymous Gabrielle d'Estrées and One of Her Sisters.[7]
Answer:
where is the rest of the question?
Explanation:
Rachel would need to look at the statistics to the genre and areas the genre is most watched
