Answer: The main themes of the play are: fate and free will with the inevitability of oracular predictions is a theme that often occurs in Greek tragedies the conflict between the individual and the state similar to that in Sophocles’ “Antigone” and people’s willingness to ignore painful truths both Oedipus and Jocasta clutch at unlikely details in order to avoiding facing up to the inceasingly apparent truth and sight and blindness the irony that the blind seer Tiresius can actually “see” more clearly than the supposedly clear-eyed Oedipus, who is in reality blind to the truth about his origins and his inadvertent crimes.
Explanation: Hope this helps
:D
Answer:
As soon as Shiro saw his master he ran to meet him, wagging his tail, and, seizing the end of his kimono, dragged him under a large yenoki tree. Here he began to dig very industriously with his paws, yelping with joy all the time. The old man, unable to understand what it all meant, stood looking on in bewilderment. But Shiro went on barking and digging with all his might.
Explanation:
I'm not too sure but the other parts in the story didn't seem like companionship to me, but in here the dog is helping the old man.
Technology is a modern day gift, but it can also be a curse. Depending on how users utilize tech to their advantage, their actions can either push society forward or create a negative impact. For example, tech has provided cars, factory machinery, more efficient communication, a stunning method of planetary exploration, and a multitude of other things. However, people with malicious intent can use tech as means of cyber bullying, fraud, hacking and stealing people's information, pedophilia, and an unhealthy amount of exposure to the world for younger children. Tech has many benefits, but also many setbacks, it just depends on how people use it.
The other person is wrong the real answer is <u><em>They present various ads that appeal to the insecurities of people.</em></u>
Explanation: Trust me
Answer:
I guess it's bad grammar you would say you and I
