Answer:
You included no options so I shall only be able to try to answer based on context and the history of Cecil Rhodes.
<em>This political cartoon shows Cecil Rhodes standing over the continent of </em><em><u>Africa</u></em><em>. Rhodes, shown as a colossus, demonstrates the European feelings of </em><em><u>ethnocentrism</u></em><em>. Rhodes believed that Europeans were responsible for civilizing </em><em><u>Africans </u></em><em>by teaching them about Western culture.</em>
Cecil Rhodes was a British man who was the founder of the British South Africa Company which was to aid the British empire is acquiring more colonies in Africa especially in the south of the Continent.
Cecil Rhodes looked down on Africans and believed them to be uncivilized and in need of guidance from Europeans who he believed were more superior to Africans. This showed ethnocentrism because he believed that Africans were uncivilized based on Europeans standards of civilization not that of Africans.
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Nat Turner mentions his past stories of childhood where he had an experience that seemed to his family like an indication of the powers of prophesy. He thought very highly of himself, he grew up believing he was destined for great things.
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I wasn't sure what else to add
Ektara (Hindi: एकतारा, Bengali: একতারা, Nepali: एकतारे, Punjabi: ਇਕ ਤਾਰਾ, Tamil: எக்டரா; literally 'one-string', also called actara, iktar, ektar, yaktaro, gopichand, gopichant, golki Nepali: गोल्, gopijiantra, tun tuna) is a one-stringed musical instrument used in the traditional music of South Asia,[1] and used in modern-day music of Bangladesh, India, and Pakistan.[1] It originated in South Asia.[1]
In origin the ektara was a regular string instrument of wandering bards and minstrels from India and is plucked with one finger. The ektara is a drone lute consisting of a gourd resonator covered with skin, through which a bamboo neck is inserted. It is used in parts of India and Nepal today by Yogis and wandering holy men to accompany their singing and prayers. In Nepal, the instrument accompanies the singing of the Ramayana and Mahabharata.[2]
It has two forms. One form resembles a lute. To make that version, a bamboo stick (90cm long) is inserted through side of wooden bowl (called a "tumbo") and the top of the bowl is covered with deerskin. The instrument has a single string running from a peg at the top, down the length of the stick-neck, across a bridge on the deerhide soundboard, and is tied at the "spike" where the stick pokes through the bowl. The instrument's string is plucked with the musicians index fingernail.[3][2]
The other version uses a drum-like body, and a skin soundboard with a string attached (to bend the sound of the soundboard). Two bamboo lathes are attached to the side of the drumhead and the string goes from the soundboard to where the lathes meet. This version of the instrument may be played either by plucking the string or by tapping the drumhead. Squeezing and releasing the bamboo lathes puts pressure on the drumhead and bends the pitch up and down. This form is associated with the Bauls of West Bengal, as well as the Tharu people of Udayapur District, Nepal.
Answer: During the 5th and 15th centuries, until the beginning of the Renaissance, medieval society was rural and self-reliant, which was based on the feudal system. Therefore, religion was the main of the restricted literature in the Middle Ages.
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