Answer:
B to stick with something pointed
Explanation:
I known that because I learned that in pottery.
Answer:
The Total Works of William Shakespeare Abridged All the world's a stage, And all the men and ladies only players: They have their exits and their entrances, And one man in his time plays numerous parts, His acts being seven ages. To begin with the infant, Mewling, and vomiting within the nurse's arms. And after that the whimpering school-boy, with his satchel, And shining morning face, inching like snail unwillingly to school. And after that, the lover, Sighing like heater, with a woeful ballad Made to his mistress' eyebrow. At that point, a soldier, Full of interesting pledges, and unshaven just like the part, Jealous in respect, sudden and fast in quarrel, Seeking the bubble reputation even within the cannon's mouth. And after that, the justice, In reasonable circular stomach with great capon lined, With eyes extreme, and whiskers of formal cut, Full of astute saws and cutting edge instances; And so he plays his portion. The 6th age shifts into the incline and slippered pantaloons, With exhibitions on nose and pocket on the side, His young hose well saved, a world as well wide For his contracted shank; and his huge masculine voice, Turning once more toward childish treble, pipes, and shrieks in his sound. The final scene of all, That closes this interesting exciting history, Is moment childishness and insignificant oblivion, Sans teeth, sans eyes, sans taste, sans everything.
Comment: I hope I answered Your question in the right way. Hopefully this is what you were looking for. I had Fun Answering your question because it was a bit of a challenge.
"Nighthawks," is one of the most appreciated paintings of American art, and certainly the best known of the American painter Edward Hopper (1882-1967).
The painting portrays the alienating presence of large modern cities: several individuals gathered in a luminous spot and surrounded by darkness. The strong coffee lights are barely able to keep the night outside, and there, anything can be happening.
Psychologically speaking, these people are isolated, thrown into a group, but locked within themselves. Hopper was able to capture the dark magic that happens in the cities at night, when everything is empty and the few people who happen to meet there seem infinitely more mysterious than in the light of day.
Hopper said he based the painting on an actual restaurant where he lived in Manhattan, "on Greenwich Avenue where two streets meet," though he admitted having taken certain creative freedoms in the transition from the real to the artistic. Many tried to find the place, but without success.
