According to jung, the two basic attitudes that divide personalities into two types are <u>"Introversion and extroversion".</u>
Introversion and extroversion is a personality dimension, it was advanced via Carl Jung in the 1920s. Distinct individuals vary on this scale. Introverts are quiet and timid, and extroverts are uproarious and amiable. As per the hypothesis, introverts get vitality from inside themselves (thoughts and ideas as far as they could tell), and extroverts get vitality from outside of themselves (associating with other individuals). There are numerous ideas or comprehension about introversion and extroversion that are false or fantasies. For example, the possibility that contemplative people are not garrulous and experience their lives emotionless.
Answer:
Warm temperature rises
Explanation:
cold temperature sinks because it lowers to get colder the plates are constantly in motion because of this the plates sometimes crash. final one is seafloor
atleast I believe so
<span>Grade B eggs should not be used when frying, among other things. With a Grade B egg, the albumen is thin and watery compared to grade A and AA eggs, and therefore tends to be more dispersed when cracked and placed on a griddle.</span>
Answer:
Through the diverse cases represented in this collection, we model the different functions that the civic imagination performs. For the moment, we define civic imagination as the capacity to imagine alternatives to current cultural, social, political, or economic conditions; one cannot change the world without imagining what a better world might look like.
Beyond that, the civic imagination requires and is realized through the ability to imagine the process of change, to see one’s self as a civic agent capable of making change, to feel solidarity with others whose perspectives and experiences are different than one’s own, to join a larger collective with shared interests, and to bring imaginative dimensions to real world spaces and places.
Research on the civic imagination explores the political consequences of cultural representations and the cultural roots of political participation. This definition consolidates ideas from various accounts of the public imagination, the political imagination, the radical imagination, the pragmatic imagination, creative insurgency or public fantasy.
In some cases, the civic imagination is grounded in beliefs about how the system actually works, but we have a more expansive understanding stressing the capacity to imagine alternatives, even if those alternatives tap the fantastic. Too often, focusing on contemporary problems makes it impossible to see beyond immediate constraints.
This tunnel vision perpetuates the status quo, and innovative voices —especially those from the margins — are shot down before they can be heard.
