Plane and shape are the nucleus of _____________ s work. His work is influenced by traditional Japanese motifs and incorporates
grid structures and vibrant planes of color that explore warm/cool contrast, close-valued color, and analogous color ranges. In the 1974 poster for Senei Ikenobo s flower arrangements, mountains and waves are created by a rhythmic sequence of blue and blue-green bands under a graduated tan sky. His 1981 Nihon Buyo poster for the Asian Performing Arts Institute uses planes of color on a twelve-unit grid to define the abstracted and expressive portrait.
<u>Ikko Tanaka</u>, the popular Japanese graphic designer, designed a poster titled 'Nihon Buyo' in the year 1981 which was deeply inspired by the conventional Japanese patterns like the incorporation of grid structures along with vibrant planes of color for various contrasts, parallel ranges of color, etc. The key idea behind such an inspiration and influence was to signal an abstract and eloquent figure of the traditional character of Japanese theater.
Explanation: For Robert Merton, anomie is a state of aimlessness and loss of identity. A theory of anomie embedded in the so-called functionalist theories, which considers a society as an organic whole.
