Answer:
Hey there!
Explanation:
This is ur answer....
<em>1. When you understand the profitability of each item, you can develop better pricing strategies to better engineer your menu. It's important to know which items are making you money. With insight from your menu analysis, you can alter your menu and your recipes to items more profitable overall.</em>
<em>2. The Pareto principle, also known as the 80/20 rule, is a theory maintaining that 80 percent of the output from a given situation or system is determined by 20 percent of the input.</em>
<em>3. Once you know how much of each menu item you sold over a certain period of time and its contribution margin, you can categorize them based on popularity and profitability in a menu matrix. Menu items will fall into one of four menu engineering categories: Cash cows, stars, duds or puzzles.</em>
<em>4. This one you need to research on the basis of sales mix...</em>
<em>5. Unpopular menu items with low contribution to profit margin (low, low) Puzzles: Unpopular menu items with high contribution to profit margin (low, high). (Need a little more research)</em>
Hope it helps!
Brainliest pls!
Have a good day!^^
The Afro-Cubans were a Latin jazz band founded by Machito in 1940; often billed as Machito and his Afro-Cubans. Their musical director, and an important musical innovator, was Mario Bauzá, Machito's brother-in-law.
The Afro-Cubans combined Cuban music with orchestrations derived from swing. As well, the Afro-Cubans played with and incorporated the music of many important figures in contemporary jazz, including Charlie Parker, Dizzy Gillespie, Flip Phillips, and Buddy Rich; but the association went both ways, as the Latin rhythms of the Afro-Cubans strongly influenced the jazz scene in New York.
After making some early 78s for Decca, the Afro-Cubans began to increase in popularity towards the end of World War II, appearing with—and no doubt influencing -- Stan Kenton's orchestra. (Machito played maracas on Kenton's recordings of "The Peanut Vendor" and "Cuban Carnival") and recorded for Mercury and Clef. On Bauzá's urging, Machito's band featured a galaxy of American jazz soloists on its recordings from 1948 to 1960, including Charlie Parker (heard memorably on "No Noise"), Dizzy Gillespie, Flip Phillips, Howard McGhee, Buddy Rich, Harry "Sweets" Edison, Cannonball Adderley, Herbie Mann, Curtis Fuller and Johnny Griffin. Playing regularly at New York's Palladium, Machito's band reached its peak of popularity during the mambo craze of the 1950s, survived the upheavals of the '60s and despite the loss of Bauzá in 1976, continued to work frequently in the '60s, '70s, and early '80s when the term "salsa" came into use. The band recorded for Pablo (in tandem with Gillespie) and Timeless in its later years.
Answer:
Stupa, Buddhist commemorative monument usually housing sacred relics associated with the Buddha or other saintly persons. The hemispherical form of the stupa appears to have derived from pre-Buddhist burial mounds in India.
Explanation:
The stupa (“stupa” is Sanskrit for heap) is an important form of Buddhist architecture, though it predates Buddhism. It is generally considered to be a sepulchral monument—a place of burial or a receptacle for religious objects. At its simplest, a stupa is a dirt burial mound faced with stone.
