<span>Http://cather.unl.edu/ss056.html that is the link that has the story there are 5 open ended questions I have tried this but it is very hard this is or 100 points</span>
Answer: I would contend that the right answer is the B) Players often return to a game after a head injury—they.
Explanation: By using a dash or specifically an "em-dash" ( — ) at the end of the sentence, the writer is clarifying or amplifying the information that he or she has already provided (that players often return to a game after a head injury). Options C and D are grammatically incorrect, so they should be discarded. Furthermore, since the two sentences ("players..." and "they do not want...") are not independent, the use of a semicolon (option A) should also be discarded.
To involve or connect with
Answer:
Woolf's word choices that suggests that Oliver is preoccupied with how others see him is "looked down"
Below is an excerpt:
<em>"...And from the middle window he </em><em>looked down </em><em>upon the glossy roofs of fashionable cars packed in the narrow straits of Piccadilly."</em>
This suggests that he had a sense of how others see him. The same word choices that revealed that he is preoccupied with how others see him is also seen in line 16 of "The Duchess And The Jeweller":
<em> "...and he would </em><em>look down</em><em> at his legs, so shapely in their perfect trousers; at his boots; at his spats. They were all shapely, shining;..."</em>
Explanation:
The question is culled from "The Duchess And The Jeweller" written by Virginia Woolf.
The short story is centered on a jeweller known as Oliver Bacon who is the only developed character. The story has a reflection of the English society as seen during Woolf's time. The jeweller, Oliver is seen as an ambitious and arrogant man. He became one of the high-ups in the society and lived at Piccadilly, the most expensive place in London.
Adeline Virginia Woolf is the author of "The Duchess And The Jeweller". She is an English writer who is considered to have pioneered and led the use of stream of consciousness as a narrative device.
