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MAXImum [283]
3 years ago
11

A utopia is a perfect or ideal society. In contrast, a dystopia is a society that is in some way undesirable or even frightening

. Dystopias in science fiction are often based on some quality or problem in the real, present-day world. Why do you think that the themes of utopia and dystopia are common in science fiction?
English
2 answers:
Afina-wow [57]3 years ago
6 0

I believe they are common because people believe that is where we could be headed. Will we run society into the ground, or will we prosper? Will the society be a "Divergent" or "Giver" society or will it exist as it does today? Since we have no way of knowing, we pretend we do.

marissa [1.9K]3 years ago
4 0

Science fiction delves not only into the possibilities of science but also its effects on civilization as a whole, which can be either positive or negative. Utopias and dystopias are the hypothetical extremes that result when we try to imagine the consequences of human choices or changes in society. When the choices or changes depend on science, the imagined consequences fall within the genre of science fiction.

Many fictional utopias require science-driven advances—for example, the elimination of disease. In fact, some thinkers once held the view that the well-being of humankind could be achieved through advances in technology alone. Technology tends to play a major role in fictional dystopias as well.  Undesirable technologies, such as easily available weapons of mass destruction, are also based on science. (PLATO)

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Basque nationalists impact politics and society in which countries?
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Basque nationalism (Basque: eusko abertzaletasuna, Spanish: Nacionalismo Vasco) is a form of nationalism that asserts that Basques, an ethnic group indigenous to the western Pyrenees, are a nation, and promotes the political unity of the Basques, today scattered between Spain and France. Since its inception in the late 19th century, Basque nationalism has included separatist movements.

Basque nationalism, spanning three different regions in two states (the Basque Autonomous Community and Navarre in Spain, and the French Basque Country in France) is "irredentist in nature"[1] as it favors political unification of all the Basque-speaking provinces.

Basque nationalism is rooted in Carlism and the loss, by the laws of 1839 and 1876, of the Ancien Régime relationship between the Spanish Basque provinces and the crown of Spain. During this period, the reactionary and the liberal brand of the pro-fueros movement pleaded for the maintenance of the fueros system and territorial autonomy against the centralizing pressures from liberal or conservative governments in Madrid. The Spanish government suppressed the fueros after the Third Carlist War.

The fueros were the native decision making and justice system issued from consuetudinary law prevailing in the Basque territories and Pyrenees. They are first recorded in the Kingdom of Navarre, confirming its charter system also across the western Basque territories during the High Middle Ages.[2] In the wake of Castile's conquest of Gipuzkoa, Álava and Durango (1200), the fueros were partially ratified by the kings of Castile and acted as part of the Basque legal system dealing with matters regarding the political ties of the Basque districts with the crown. The Fueros guaranteed the Basques a separate position in Spain with their own tax and political status. While its corpus is extensive, prerogatives contained in them set out for one that Basques were not subject to direct levee to the Castilian army, although many volunteered.

The native Basque institutions and laws were abolished in 1876 after the Third Carlist War (called the Second in the Basque context), and replaced by the Basque Economic Agreements. The levelling process with other Spanish regions disquieted the Basques. According to Sabino Arana's views, the Biscayan (and Basque) personality was being diluted in the idea of an exclusive Spanish nation fostered by centralist authorities in Madrid. Arana was inspired by his brother Luis, a co-designer of the Basque flag ikurriña (1895), and a major nationalist figure after Sabino's death (1903).

Arana felt that not only the Basque personality was endangered but also its former religious institutions, like Church or the Society of Jesus, which still often spoke in Basque to its parishioners, unlike school or administration. Sabino characterized Catholicism as a sort of shelter for Basque personality. This became a point of contention with other personalities holding like views and clustering around Arana's manifesto Bizkaya por su independencia (1892). Later industrialist and prominent Basque nationalist Ramon de la Sota dismissed Sabino's positions of Catholicism as inherent to the national issue.

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marta [7]

I can't see the examples. But assonance means a resemblance in the sounds of words or syllables either between their vowels (e.g., meat, bean) or between their consonants (e.g., keep, cape). 

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Fittoniya [83]

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A. Same

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