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Answer:
On God's command, Abraham agrees to sacrifice his son Isaac. As Abraham raises the knife, an angel appears out of nowhere to halt the sacrifice. The complex expressions of father and son in this work combine grief, strength, resignation, fear, and realization in their faces and bodies, which are inspired by ancient sculpture and Michelangelo. Andrea del Sarto never completed this painting, which reveals his working methods. He transferred the design from a drawing to the panel, reinforcing the chalk with painted lines—most notably in the donkey on the far right. He then worked over the entire panel at once with thin, brushy veils of color, allowing him to change the composition as he painted—particularly in the angel, Isaac's body, and Abraham's head.
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C. Prime Minister Winston Churchill
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The answer is A. They lost 55%
Answer:
This visual narration is called The Bayeux Tapestry, a tapestry crafted in the 11th century and served as a journal relating to the Norman invasion of the British Islands in 1066. The historical significance of this art is that the tapestry tells the story of the conquest of England by William trough the Norman perspective, highlighting each aspect of this war, creating an interesting narrative.
Explanation:
The Bayeux Tapestry, 69 meters long, about 50 cm wide and 58 scenes, tells the story of the Norman conquest of England in 1066 (from the Norman point of view), and magnificently depicts many scenes of noble everyday life of the late 11th century, in addition to the Anglo-Saxon defeat of the forces of Harold II, king of England at the battle of Hastings in 1066.