Yes.
<span>In 1281, Kublai Khan and his Mongol Army attempted to invade the islands of Japan by sea. The Mongols were winning the their invasion until unexpectedly, a typhoon came through off the coast of Japan and destroyed the Mongol forces and fleet enroute to Japan. The people of Japan considered this to be a great turn of fortune for them. They believed that this great storm was sent to them as protection from the heavens and is credited with saving the Japanese Empire. It was called the Kamikaze, or Divine Wind.
</span><span>By the fall of 1944, it had become clear that the Japanese were again losing in a struggle for their empire. This time however, they were losing to the American and Allied forces in the Pacific Theater of World War II. Short on resources as well as victories, the Japanese again turned to this “divine” force in the belief that it would again save them from total annihilation by foreign forces. Only this time, instead of it being a “divine wind,” it came in the form of men who were willing to sacrifice their lives in order to help their country. These suicide pilots took on the name “kamikaze” and applied it to their airborne missions.</span>
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Answer:
The British author raised concerns over the state of the army with the genre of invasion which touched the readers.
Explanation:
The Battle of Dorking was written by George Tomkyns Chesney in 1871 just after the France and Prussian War in which Prussia came out victorious. The novel reflects the ideas of the nineteenth century England and concern for the reforms in the Britsh military and Royal Navy. It portrayed the invasion of England by German-speaking people which reflects the immediate concern to prepare for war against the dominating Prussian army.
Franklin Roosevelt set up the lend-lease program in 1941 to
help Britain fight against Germany and the Axis Powers. The United States was
officially uninvolved in the war at the time but this was a method of offering
aid indirectly to the Allied nations.
Answer:
option c
Explanation:
According to Machiavelli, the ends always justify the means—no matter how cruel, calculating or immoral those means might be. Tony Soprano and Shakespeare’s Macbeth may be well-known Machiavellian characters, but the man whose name inspired the term, Niccolo Machiavelli, didn’t operate by his own cynical rule book. Rather, when Machiavelli wrote The Prince, his shrewd guidelines to power in the 16th century, he was an exiled statesman angling for a post in the Florentine government. It was his hope that a strong sovereign, as outlined in his writing, could return Florence to its former glory.
Machiavelli’s guide to power was revolutionary in that it described how powerful people succeeded—as he saw it—rather than as one imagined a leader should operate.
Before his exile, Machiavelli had navigated the volatile political environment of 16th-century Italy as a statesman. There were constant power struggles at the time between the city-states of Italy, the Holy Roman Empire, France and Spain
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