Based on the given excerpt above, I can say that the what the carp represents here are DEATH and INNOCENCE. Death here refers to how the twenty-pound carp was being treated and innocence refers to the teachers and boarding students who tasted the carp. This excerpt is actually from Yun Wang's "The Carp" and this lyric poem reflects his bad experiences from his father, such as imprisonment and torture.
Answer:
It can give readers a signal about what to expect and how the work should be read
Explanation:
Answer:
If your options are:
A. The poem uses variations of meter to affect rhyme.
B. The poem’s sentences flow across stanzas.
C. The poem’s stanzas have varying lengths.
D. The poem uses nontraditional syntax and rhyme scheme.
Then the answer is D.
Explanation:
The nontraditional syntax is best shown in the use of enjambment - interrupting the thought and syntactic structure in the middle and moving the rest to the next line. For example: "and older than the // flow of human blood (...)"
Here, the definite article "the" has been separated from the noun "flow", which means the phrase is visually broken in half.
- A isn't true because this poem conveys its meaning through rhythm and not rhyme. There are virtually no rhymes here and the syntax (sentence structure) is disrupted, invoking the sound of a river flowing in irregular but consistent waves.
- B isn't true because the sentences do flow across lines but not across stanzas.
- The stanzas do have varying lengths. But even though this element was pretty rare prior to the 20th century, it is not exclusive to modernist poetry. That's why C isn't true either.
Hm, are you sure you got the question right? Because all of the sentences are written in active voice! Active voice is essentially everything that is not in the passive voice, and I don't see any passive voice here.
Passive voice would be formed with subject+form of "to be" + past participle,
and we have no example of this. All of the sentences here are in active voice.
