It all depends back on who youre present it t
younger ages (Primary-Middle),
Its Ok to use plenty of special effects, but dont ovedue your DTP with effects, so that they still can get the point.
Older ages (High & above)
Older people usually more serious than older ages to pursue their careers, so less effect, more points
Answer:
Answer explained below
Explanation:
I have given two approaches in implementing the solution.
1. Using the for loop, in which you have to iterate over all the elements in list 1 and check in list 2
2. Use the set intersection method. As intersection will give u the common elements. And we can get there length by using len method.
I have added the code along with the snapshot and inline comment for the ease of you to understand. Please check the methods below. You can use either of them.
METHOD-1:
********** CODE *****************
def matches(tickets,winner):
tickets = set(tickets)
winner = set(winner)
counter = 0 #To Count the common elements
for i in tickets: # Iterate over all the elements in tickets.
if i in winner: # Check the element in the winner list
counter = counter+1
return counter
METHOD -2:
********** CODE ********************
def matches(tickets, winner):
tickets = set(tickets)
winner = set(winner)
return len(tickets.intersection(winner))
Answer:
Place tape over the case edges that are sharp
#include <iostream>
#include <vector>
std::vector<int> v;
int main(int argc, char* argv[]) {
while(1) {
int temp;
std::cout << "\nEnter a number: ";std::cin>>temp;
if(temp<0) {
std::cout << "\nEven number(s) is/are:\n---------------------\n";
for(int i=0;i<v.size();i++) {
if(v.at(i)%2==0) std::cout << v[i] << " ";
else continue;
}
std::cout << std::endl;
break;
}else {
v.push_back(temp);
}
}
return 0;
}
The 3-act structure<span> is an old principle widely adhered to in storytelling today. It can be found in plays, poetry, novels, comic books, short stories, video games, and the movies. It was present in the novels of Conan Doyle, the plays of Shakespeare, the fables of Aesop, the poetry of Aristotle, and the films of Hitchcock. It’s older than Greek dramaturgy. Hollywood and Broadway use it well. It’s irrefutable and bullet-proof, so to speak.
so this means its more basic antagonist protagonist set-up even if the protagonist and antagonist are "CUBES"</span>
