Answer:
The first one is correct. The second one is a run-on sentence, like speaking without pausing at a comma to take a breath.
Commons
“How did Faulkner pull it off?” is a question many a fledgling writer has asked themselves while struggling through a period of apprenticeship like that novelist John Barth describes in his 1999 talk "My Faulkner." Barth “reorchestrated” his literary heroes, he says, “in search of my writerly self... downloading my innumerable predecessors as only an insatiable green apprentice can.” Surely a great many writers can relate when Barth says, “it was Faulkner at his most involuted and incantatory who most enchanted me.” For many a writer, the Faulknerian sentence is an irresistible labyrinth. His syntax has a way of weaving itself into the unconscious, emerging as fair to middling imitation.
While studying at Johns Hopkins University, Barth found himself writing about his native Eastern Shore Maryland in a pastiche style of “middle Faulkner and late Joyce.” He may have won some praise from a visiting young William Styron, “but the finished opus didn’t fly—for one thing, because Faulkner intimately knew his Snopses and Compsons and Sartorises, as I did not know my made-up denizens of the Maryland marsh.” The advice to write only what you know may not be worth much as a universal commandment. But studying the way that Faulkner wrote when he turned to the subjects he knew best provides an object lesson on how powerful a literary resource intimacy can be
Answer:
"April/Comes like an idiot, babbling and strewing flowers.”
Explanation:
personification= giving human characteristics to something nonhuman, the other two are not examples of it
Answer: Because Lady Macbeth is not sick, she is feeling guilty because of the murders she and Macbeth committed. The doctor can do nothing about it.
Explanation:
Upon hearing the Three witches' prophecy that he would become a king, Macbeth and his wife devise a plan to make it happen. Macbeth murders king Duncan and Banquo, which makes him haunted by guilt. He does become a king, but his life is far different from what he hoped for. Even Lady Macbeth, who had the initiative at the beginning of the play and convinced Macbeth to 'do the deed', gradually becomes weak and frightened. She starts to sleepwalk, see blood on her hands and claims that she will never be able to wash it.
In <em>Act 5, Scene 3</em>, Macbeth demands that the doctor cures her of her delusions. This demand is ironic, in that it is not possible. Lady Macbeth is simply consumed by guilt and is not feeling well because of it. No doctor will ever be able to cure her from her guilt. Macbeth is concerned both because the enemy is getting closer and because of his wife's state of mind, therefore, he cannot accept that his problems are not to be solved over night. He blames the doctor for being unable to help Lady Macbeth, while, in fact, it is only their fault that their plan did not meet their expectations.
Answer: she feels proud of herself
Explanation:
