Answer:
25%
Explanation:
depreciation expense per year = ($110,000 - $10,000) / 10 = $10,000
average annual investment = $60,000 (carrying value after the end of year 5 or half the life of the project)
average net profit per year = $15,000
accounting rate of return = average net profit per year / average investment = $15,000 / $60,000 = 0.25 = 25%
Answer:
a. $1.25
Explanation:
From the image, we can determine the seller's position.
As the supply curve moves from 
to 
, the sale will become fewer. As the government imposes a $2.25 tax on suppliers, the seller will receive less money despite getting more money for each sale from the customer.
Before imposing the tax, the seller received $2.50 for each sale. After imposing the ban, the supply curve shifts to the left, and the seller receive $3.50 before paying the tax. After paying the tax, the seller receives ($3.50 - 2.25) = $1.25.
Answer:
the selling price of the property is $183,333
Explanation:
The computation of the selling price of the property is as follows:
= (Price ÷ commission percentage) ÷ ( commission percentage)
= ($3,575 ÷ 30%) ÷ (6.5%)
= $183,333.
Hence, the selling price of the property is $183,333
We simply applied the above formula so that the correct value could come
Answer:
The correct answer is letter "C": excite.
Explanation:
The 4E framework is an approach to maximize the use of social media for marketing purposes. The 4E implies exciting consumers with offers that may attract them; educating them about the offer; allowing them to experience products; and, engage them with the product. This is achieved with the use of <em>social networking, media-sharing, </em>and <em>thought-sharing sites.
</em>
Therefore, <em>"Staples" providing to its consumers coupons based on past purchases through their mobile phones while they are on the store represents the excite component of the 4E framework.</em>
It is called Willing Suspension of Disbelief. As indicated by the hypothesis, suspension of mistrust is a fundamental element for any sort of narrating. With any film, the watcher needs to disregard the truth that they are seeing a two-dimensional moving picture on a screen and briefly acknowledge it as reality keeping in mind the end goal to be engaged.
