2. Pineda maps Texas
1. Cabeza de Vaca reports on Texas
3. La Salle establishes Fort St. Louis
When someone is studying how prior exposure affects color preference, they are aware that color preferences are also influenced by ethnic background. They could enhance the sensitivity of their research by focusing on one ethnic group. This method has a problem in that someone would have to use several levels of prior exposure to ensure they were getting an accurate picture of the connection between preference and exposure. Hence, the correct answer is C.
<h3>Understanding Color Preference</h3>
Color preferences are the tendency for a person or a group to prefer particular colors over others, which includes choosing a favorite or a traditional color, in color psychology. Human color preference is influenced by brain receptors, according to research. We typically prefer specific colors based on our surroundings, their value, the weather, and the quantity of light reflected from various things, and we may be interested in one color for a long period of time or lose interest in another. Numerous psychologists believe that because our brain perceives colors with logic, each color affects humans differently.
Learn more about additive colors here: brainly.com/question/4431200
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Answer:
La pobreza está relacionada con condiciones negativas como viviendas deficientes, falta de vivienda, nutrición inadecuada e inseguridad alimentaria, cuidado infantil inadecuado, falta de acceso a atención médica, vecindarios inseguros y escuelas con recursos insuficientes que impactan negativamente a los niños de nuestra nación.
According to Christopher Baugh, the invention of electric lighting beginning in the 1880s allowed for the exposure of the inherent artificiality of both the carpentered and painted stage forms, making them look more two-dimensional especially with respect to their three-dimensional scenic partners.
Prior to the use of electric lighting, gas or oil was used as the fuel to produce soft and gentle lighting that allowed for the blending of the carpentered and painted stage forms with the three-dimensional elements in the stage.
