Answer:
“whose origin was a Terminus.”
Explanation:
This is the phrase that works both as a paradox and as a pun. The paradox lies in the fact that the word "terminus" means "end." Therefore, it is a paradox to say that the origin was the end. Moreover, the phrase works as a pun because the word Terminus is being used as a name, but also as a way to reference a "terminal" (a train terminal).
CPersonification <span>Personification</span>
Answer:
D) That test results from a recent exam indicate that something is wrong, and she should see the doctor again.
Explanation:
The tone is generally described as an author's attitude towards a particular subject matter that is reflected through the writing style and choice of words by the author. It mirrors the author's approach to display the central theme or idea. The tone of the statement taken from passage implies that Julianne's recent test reports are indicating an unnerving sign as it suggests 'abnormality' and she needs to 'follow-up' an appointment as soon as possible. The tone is alarming and displays an indication of a serious problem. Thus, option D appropriately exemplifies the tone of the passage.
1. It was already one in the morning; the rain pattered dismally against the panes, and my candle was nearly burnt out, when, by the glimmer of the half-extinguished light, I saw the dull yellow eye of the creature open; it breathed hard, and a convulsive motion agitated its limbs.
-Personification is shown in this excerpt, specifically in the line "I saw the dull yellow eye of the creature open; it breathed hard, and a convulsive motion agitated its limbs." Because the author is giving human like characteristics to the light.
2. Mingled with this horror, I felt the bitterness of disappointment; dreams that had been my food and pleasant rest for so long a space were now become a hell to me; and the change was so rapid, the overthrow so complete!
- The line "for so long a space were now become a hell to me; and the change was so rapid, the overthrow so complete" uses a metaphor because the vents that take place aren't literally hell, but they are describing it in a way that makes it feels that way.
Answer to Question 1: Hamlet becomes increasingly furious with both himself and whoever harmed those who he cared about. A visceral sentiment of vengeance consumes him as he realizes his mind won't be at peace if he simply stands around fearfully inside his aristocratic eggshell, and the sentiment won't snuff out until the ones responsible for his anger are punished.
Answer to Question 2: Hamlet believes he will become a beast if he gives himself into an avenging wrath, but it does not matter to him as long as his grieving thoughts are cleansed. Ignoring the incident would simply preserve his plight.
Answer to Question 3: The audience should feel compasion for the man in duel, and be afraid that a good man who's well aware of his own thoughts and conclusions - a man that has lost nearly everything - gave into the rage.
Director's notes on Proper Soliloquies.
An actor who aims to perform a soliloquy must look around their environment, focus on a significant element of the scene, and procced to describe with detail how the sight makes them feel - repeat the process with the rest of the scene -. The actor should change the tone of their voice between the lines depending on the current feeling of their character; shouting it all should not be neccesary and might be considered exaggerated.
