A collage is a technique of art production where the artwork is mad from and assemblage of different art media:true
Answer:
the details of the building so they are historically accurate
Explanation:
The most famous architects who worked in that era – this is not the right answer. Tatiana is not making a presentation about the architecture, and it’s architects, but creating a building.
<u>The details of the building so they are historically accurate – this is the correct answer. As the guests are going to be historians, Tatiana should pay extra attention to the historical accuracy of the building. </u>The attendees will have wast knowledge about this matter and will expect organizers to have it as well. Therefore, <u>if organizers want to present themselves in the best possible light, they would pay extra attention to the details guests will be knowledgeable about and make sure all is historically accurate. </u>
The basic blocks that make the foundation since they are the base – this is not the right answer. The attention should not be put on the stability of the building, as much as history.
The number of people coming to the conference and programs printed – this is not the right answer. Based on what we know, this is not Tatiana’s part of the job at all.
Answer:
it looks like a bison to me
Explanation:
Answer:
Joyless Street (Die Freudlose Gasse) - 1925
Director - GW Pabst
Explanation:
The Danish actress Asta Nielsen (1881-1972) was the first great star of the cinema. A strong, independent woman, she made her way to the great stars of the 1930s, such as Great Garbo and Marlene Dietrich.
Nielsen's work is little known among us. We have more references to her in film history books than real contact with her films.
Nielsen moved to Germany in the early 1910s and became the star of the golden age of German cinema. However, its popularity was not only restricted to the country, but spread throughout Europe.
Coming from the theater, Nielsen was one of those responsible for transforming the cinematic performance, representing with a more natural style. For Hungarian scriptwriter and film theorist Béla Balázs (1884-1949), "<em>what Asta Nielsen says with her face not even the greatest writer could translate into words.</em>"
