After a week of walks, dances, and visits to Sir John's estate at Barton Park, Edward ruefully explains that he must leave them. Elinor tries to account for the brevity of<span> his visit by assuring herself that he must have some task to fulfill for his demanding mother. After he leaves, she tries to occupy herself by working diligently at her drawing table, though she still finds herself thinking </span>frequently<span> of Edward. Marianne finds herself unable to eat or sleep following Willoughby's sudden departure, yet to her mother's surprise, she also does not </span>appear to be<span> expecting a letter from him. However, when Mrs. Jennings remarks that they have stopped their communal reading of Hamlet since Willoughby's departure, Marianne assures her that she expects Willoughby back within a few weeks. The entire contrast between the characters of Elinor and Marianne </span>may be<span> summed up by saying that, while Elinor embodies sense, Marianne embodies sensibility. Elinor can exercise restraint upon her feelings; she possesses the strength to command her feelings and emotions; she has the virtue of prudence; and she tends </span>to be<span> stoical in the face of disappointment or failure. Marianne is susceptible to feeling to an excessive degree. She is lacking in self-command, in self-restraint, and in the capacity to keep her emotions under control. Elinor possesses a strength of understanding and a coolness of judgment by virtue of which she, though only nineteen years, is capable of being her mother's counselor. She is able, by means of these qualities, to keep in check her mother's eagerness of mind which would otherwise have led that </span>lady<span> to acts of imprudence. Elinor's disposition is certainly affectionate, and her feelings are certainly strong. But she knows how to govern her affections and her feelings. This capacity to govern the feelings and the emotions is something alien to her mother as well as to her sister Marianne. Marianne's abilities are, in many respects, quite equal to Elinor's. She is sensible and clever, but she is too eager in everything, so that her sorrow and her joys know no moderation. She is everything but prudent, and in this respect she resembles her mother closely.
I hope this helps</span>
Answer:
the second strongest argument
Explanation:
The "subversiveness" of the characters can be presented with real-life examples that show how children behave and think. These characters were portrayed too unreal and innocent before the publication of "Where the Wild Things Are."
The question above does not show the article to which it refers, but it is possible to see that it refers to the works of writer Maurice Sendak. Accordingly, we can answer the questions with the following information:
- Maurice Sendak wrote children's books that revolutionized the children's literature market.
- Their books featured characters with realistic behaviors that can be found in any real-life children.
- That's because Maurice Sendak wrote characters that children could identify with, not characters that showed what adults expected of children.
Although praised by critics, Maurice Sendak had his work considered controversial, because it showed subversive and rebellious characters, in some ways. That's because, before he released his most famous work, "Where the Wild Things Are," the characters in children's books were quite innocent, obedient, without much personality.
More information:
brainly.com/question/404382?referrer=searchResults
Answer:
The novel is a story-within-a-story. Creech writes about Sal's road trip to Idaho with her eccentric grandparents, and during the trip, Sal tells her grandparents about her friend Phoebe Winterbottom and the disappearance of Phoebe's mother.
Answer:
Dairy wrote this in 1985 he was not only in a stable he was a user to be the first person to overcome the fear of the animals before anyone could get to them.
Explanation:
Dairy was a strong independent man who could do anything he set his mind to and it came out very well for him to state it
