Answer: Extrinsic Motivation.
Explanation: His motivation is coming from his friends, which is an outside source. It’s not coming from inside himself.
Answer:
The Reefs by Marcella Morris
1. The theme develops from the conflict or the central problem that is being confronted. It can also develop from the character, especially the character's qualities, actions, responses, and changes which the character makes in the situation.
2. Sophie was confronted with the problem of solving a crucial environmental issue. The coral reefs were facing possible extinction. She could not receive some support from her college professors, as they refused to provide their expertise, withheld their moral support, and did not supply her with the resources that she required (e.g. laboratory time). But, Sophie did not give up. She singularly decided to do something and was able to follow through despite the discouraging challenges. At last, she came up with the solution because of her indomitable spirit.
Explanation:
What is a theme? A theme of a story or an event is the lesson that can be derived from the story or event. It is not the sequence of events that make up a story, which is known as the plot, but the message or the bone of the story. The theme develops from the conflict or the central problem that is being tackled. The lessons that are learned in tackling the conflict or problem are the themes.
Answer:
The Progressive Party (often referred to as the "Bull Moose Party") was a third party in the United States formed in 1912 by former president Theodore Roosevelt after he lost the presidential nomination of the Republican Party to his former protégé and conservative rival, incumbent president William Howard Taft.
Explanation:
The Balinese production of The Tempestuses shadow puppetry to display an interpretation of William Shakespeare’s famous work. This alternative form of performance focuses more on the fluidity, or sharpness, of the characters’ movement. When analyzing Ariel in this form, it is very apparent that her actions are very projected compared to other characters, by the excess movement of her arms and fingers. However, this projection is shown not with velocity in motion, but with a very smooth complexion in Ariel’s movement. This emphasizes the fragility of her character by connecting her to something very easily tampered with, like the smoothness of still water, that changes with something even as soft as a breeze. The Balinese play also uses the clever technique of utilizing their lighting as a form of portraying Ariel’s character, by physically moving the actor towards and away from the light in order to change the size of the shadow shown. This was well utilized by not only Ariel, but the entire Balinese cast. When Prospero manipulates Ariel into believing that her deed was an act of gratitude for releasing her from her imprisonment, the cast makes Prospero noticeably larger in size and Ariel noticeably smaller. This adds dynamic contrast to the characters and allows the audience to view Ariel as much more timid and frail, as well as Prospero much scarier and evil.
