The first group of Puritans to make their way across the Atlantic was a small contingent known as the Pilgrims. Unlike other Puritans, they insisted on a complete separation from the Church of England and had first migrated to the Dutch Republic seeking religious freedom.
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The major effect of the Great Schism was that it created two separate churches: the Eastern Orthodox Church which was located in Constantinople and the Western Catholic Church.
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Europeans began building their empires in the western hemisphere in the early 1500s, but by the 1800s, Spain<span> and </span>Portugal<span> were no longer powerful countries, and the largest British colony had become the </span>United States<span>. </span>Britain<span>, </span>France<span>, </span>Germany<span>, </span>Russia<span>, and the </span>Netherlands<span> continued to colonize during this era, but they also devised other ways to spread their empires. In the late 19th century </span>Japan<span> and the </span>United States<span> joined the European nations as an imperialist power.</span>
Answer: in a democracy citizens are given the right to vote. Meaning that they have a say in who is in control of their country. There are also laws in place to make sure that those in power aren’t abusing their position. As where in other forms of government like a monarchy there are no procedure in place to check their rulers.
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Wholesome in the most “pull yourself up by your bootstraps” brand of mythical Americanism, “12 Mighty Orphans” is engineered to rouse emotions with uncritical pride, never reaching the less immaculate corners of the historical period it employs as canvas.
As schematic as they come, this is a movie about football innovation and good people helping parentless teenagers transition into more self-confident young men. Reworked from Jim Dent’s novel, about the real 1930s-1940s Mighty Mites team from the Masonic Home and School of Texas, this on-screen reformatting directed by Ty Roberts is competently pedestrian.A country emerging from the Great Depression serves as backdrop. President Roosevelt has put the New Deal in motion and the nation thirsts for hopeful stories that speak of a better tomorrow for all. Enveloped in that sentimentality is teacher, coach, and war hero Rusty Russell (Luke Wilson). He moves his family to an orphanage, the Masonic Home, to impact the resident boys’ lives through academics and, more vehemently, on the field.
Deployed early on and repeated throughout, bombastic editing choices call back to Rusty’s days on the battleground, creating visual parallels between war and football. These bits, which intermingle archival footage and black-and-white reenactments, cheapen the otherwise visual pleasantness of David McFarland’s cinematography (even if he likely shot those unfortunate snippets too). The majority of the boys we meet, including the ones that make the cut for the dozen in question, don't get much of a backstory; some never even speak. Hardy Brown (Jake Austin Walker), the requisite unruly sheep, is the notable exception. Following both biblical parables and clichés pertinent to movies about coaches and underdog teams, he is the prodigal child that eventually comes around proving himself indispensable. Without Rusty saving him, he’s the MVP that could have easily gone MIA.
Pent up anger permeates Walker’s performance. His dangerous self-destructiveness and pessimism give “12 Mighty Orphans” a slightly edgier tone. He cuts through Russell’s saccharine determinism, in spite t characters.
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