Frankie Lyman was the thirteen year old lead singer of Frankie Lyman and the Teenagers. Their biggest hit was "Why do Fools Fall in Love". The song was released in 1956. In 1957, Frankie Lyman went solo and left the group. Frankie Lyman died at the age of 25 from a drug overdose.
Answer:it is good to let it go hahaha
Explanation:
Brazil is a country that has very interesting culture which is the result of the mixing of several different cultures. What is now Brazil has been colonized by the Portuguese people. As they did, they started to settle in, but it was not just Portuguese that settled, there was also lot of Italians as well. As they were the ones that controlled this area, they set up the basis for the modern day culture of Brazil. But that is not all. The colonists encountered lot of native tribes, and over time the natives and the Europeans started to mix. Also, the colonists brought lot of African slaves too, and once the slavery ended, they too started to mix with the Europeans and natives. Each of the three sides contributed with their own cultures, gradually creating one melt resulting in the modern day Brazilian culture. Some of the well known traits of the Brazilian culture is the dancing, carnivals, masquerades, practicing of old traditions, being passionate Catholics, having excellent football skills based on the ginga etc. The ethnic composition too has been influenced in the same manner through the mixing of the people from three different races, making the modern day average Brazil having genes from three sides of the world.
Answer:
Through the diverse cases represented in this collection, we model the different functions that the civic imagination performs. For the moment, we define civic imagination as the capacity to imagine alternatives to current cultural, social, political, or economic conditions; one cannot change the world without imagining what a better world might look like.
Beyond that, the civic imagination requires and is realized through the ability to imagine the process of change, to see one’s self as a civic agent capable of making change, to feel solidarity with others whose perspectives and experiences are different than one’s own, to join a larger collective with shared interests, and to bring imaginative dimensions to real world spaces and places.
Research on the civic imagination explores the political consequences of cultural representations and the cultural roots of political participation. This definition consolidates ideas from various accounts of the public imagination, the political imagination, the radical imagination, the pragmatic imagination, creative insurgency or public fantasy.
In some cases, the civic imagination is grounded in beliefs about how the system actually works, but we have a more expansive understanding stressing the capacity to imagine alternatives, even if those alternatives tap the fantastic. Too often, focusing on contemporary problems makes it impossible to see beyond immediate constraints.
This tunnel vision perpetuates the status quo, and innovative voices —especially those from the margins — are shot down before they can be heard.
<em>The Constitutional Convention</em> was also called "<em>The Federal Convention</em>" and "<em>The Philadelphia Convention</em>", came about between May and September of 1787 in order to tackle issues and weak spots left by the <em>Articles of Confederation</em> in the central government.
<em>"At the constitutional convention, the delegates agreed that slaves would be counted as </em><em>three-fifths</em><em> of a person</em>..."
