Answer:It depicts her as a round character because she is looking to change her career
Explanation:
Answer:
Explanation:
What could be a worse fate for a modern American female poet than to be lumped into a nebulous, chauvinistic and ever slightly misogynistic pool of cess stereotyped as a “domestic poet.” Anyone unfamiliar with the term coming across it from the first time in reference to a female poet might well believe that domestic poetry is sweetly rhyming verse taking as its subject situations like getting the kids into the van for soccer practice, making cookies for the PTA meeting and, of course, a litany of hatred expressed toward husbands who are never there to help with domestic issues.
Never mind that Robert Frost and Walt Whitman and Wallace Stevens have all at one time or another found a niche within the broadly defined movement or genre of domestic poetry. Which, for the same of brevity, shall be termed poetry dealing with the commonplace of everyday as opposed to epic tales, transcendental unity of man with nature, mysticism, avant-garde experimentation with form over content and various other assorted and sundry types of poems with which the average person cannot relate. Linda Pastan, in other words, writes poems in which she consistently returns to touch upon universal themes dealing with family and relationships and the difficulties of normal existence and the emotional distress of just getting up and living live as it comes.
The tension that always exists between members of a family regardless of the definition or connotation applied to the term “family” has been a great source of inspiration to Pastan from her earliest verse and throughout her development and maturation. By contrast, an equally concentrated examination of the tensions introduced by religious and spiritual expectations has tended to dissipate throughout that process of growing older and becoming more domesticated. In its place Pastan has created a body of work that is far more elegiac and meditative and, it must finally be admitted, less domestic. With the introduction of a more melancholic and reflective poetry that moves into a greater sense of isolation and a solitary contemplation of tactile nature rather than abstract spiritualism, Pastan succeeds in tossing off whatever chains may have been tied around her verse as a result of the unfortunate constriction of trying to pigeonhole her as merely a domestic poet.
Lowell uses a simile in the second and third line: “The world beats dead / Like a slackened drum.”
Answer:
<em>Option B. Burns' use of hyperbole contribute to the meaning of the poem as it illustrates the extent of his love for the subject of the poem.</em>
Explanation:
"A Red, Red Rose" is a 1794 song written by author Robert Burns. As seen in the quote from the song provided in the question, the author utilizes the literary device of hyperbole which is the use of exaggeration as figure of speech. Burns' use of hyperbole emphasizes the strong feelings that the narrator has toward his loved one, as it creates a strong impression of how he is feeling toward her.
The town was nearly empty because everyone was watching the championship on TV.
The best way to combine these sentences is to use the conjunction "because".
Last night after the washer broke and flooded the basement, it took us an hour to clean up.
Adding the word after creates a dependent clause which then must be connected to the independent clause to create on sentence.
A little white dog, which belonged to the neighbors, was sitting on the front door.
Changing the second sentence into an adjectival clause allows the two sentences to be combined.
Rosie wanted to go to the lake with us, but she got sick and couldn't go.
Adding a coordinating conjunction (but), allows for both of these sentences to be joined together as a compound sentence.
Istanbul, the biggest city in Turkey, used to be called Constantinople.
By changing the first sentence into an appositive phrase, it allows for the sentences to be easily combined.
