Answer:
I am pretty sure the anwser is C
Explanation:
To gain backing of Americans, both the Allies and Central
Powers used Propaganda intended to influence opinion. Governments
during the First World War keen massive capitals and huge quantities of effort
to creating material intended to shape opinion and action worldwide. The labors
of states to defend their actions, and to build global support, caused in some
of the most influential propaganda ever shaped.
The Warren Court typically made decisions that bolstered the privileges of needy individuals, minorities, or other burdened gatherings. Both Kennedy and Johnson attempted to enhance life in the United States by diminishing neediness and advancing sexual orientation and racial correspondence. The Warren Court bolstered and mirrored these strategies by including similar gatherings, settling on the court choices and the social arrangements cooperate.
Jackson Pollock, Lee Krasner, Willem de Kooning, and Mark Rothko are best-known as pioneers of Abstract Expressionism. But all four were also among thousands of artists and other creatives employed by the government through the Works Progress Administration (WPA) between the years of 1935 and 1943. That the arts would be funded significantly by the federal government—never mind that it would actively employ artists—may well raise an eyebrow today. But working under a subdivision of the WPA known as the Federal Art Project, these artists got to work to help the country recover from the Great Depression, as part of President Franklin D. Roosevelt’s New Deal.
Evidence of impoverishment and a portfolio showcasing one’s skills and commitment to the arts were all that was needed to qualify for the WPA initiative. This and the Federal Art Project’s non-discrimination clause meant that it attracted, and hired, not just white men but also artists of color and women who received little attention in the mainstream art world of the day. These artists created posters, murals, paintings, and sculptures to adorn public buildings.