The correct answer to this open question is the following.
Although there are no options attached, we can say the following.
The property of loss that is caused by natural disasters are homes, private property, and public infrastructure such as roads, bridges, powerplants, dams, airports, among others.
That is why in the insurance industry, companies offer many kinds of insurance plans in order to have all the incidents covered, or at least, mitigate their impact. In the specific case of natural disasters, the industry considers it the following: volcanic eruptions, earthquakes, wildfires, hurricanes, droughts, flooding, and winter storms.
<span>A proposition of value is can be found in a persuasive speech wherein it focuses on having the listener judge the worth or importance of something. Moreover, it implies that one thing is a better option than the other, in other words, it can also suggest that something is good while the other is bad.</span>
Answer: the right answer to this problem would be d
Explanation:
the reason for this being d is because, first of all a feminist means a person who supports females, so with that the best definition for this multiple choice would have to be d because a feminist would want women to be treated just as fairly as men.
Answer:
C. The artist intentionally painted all of Henry VIII features accurately so that the general public would know his superiority and power were real, and not self-made.
Explanation:
Most of the portraits of Henry VIII do not depict the king in a too flattering light, as is often done with rulers and monarchs, but rather portray him accurately.
In the examples, in the attachment, we can see Henry VIII was often portraited as a big man with thick cheeks, double chin, saucer eyes and features too small for his face. <u>He is not painted as a muscular, beautiful man, with the body like the Greek statue, as political portraits, statues, and paintings usually would present monarchs.</u>
Hans Holbein has done quite a few depictions of Henry VIII. He has <u>managed to show the king in all his likeness but to still transform his unflattering accurate appearance into the royal state of power. </u>The portraits are not aesthetically pleasing, but still, manage to be arresting.
<u>This is the proof that portraits of Henry VIII that showed him in a full accuracy had the power to prove that his superiority and dominance do not come from his divine appearance or political tools of beautifying, but were authentic. </u>