Answer:
Through the diverse cases represented in this collection, we model the different functions that the civic imagination performs. For the moment, we define civic imagination as the capacity to imagine alternatives to current cultural, social, political, or economic conditions; one cannot change the world without imagining what a better world might look like.
Beyond that, the civic imagination requires and is realized through the ability to imagine the process of change, to see one’s self as a civic agent capable of making change, to feel solidarity with others whose perspectives and experiences are different than one’s own, to join a larger collective with shared interests, and to bring imaginative dimensions to real world spaces and places.
Research on the civic imagination explores the political consequences of cultural representations and the cultural roots of political participation. This definition consolidates ideas from various accounts of the public imagination, the political imagination, the radical imagination, the pragmatic imagination, creative insurgency or public fantasy.
In some cases, the civic imagination is grounded in beliefs about how the system actually works, but we have a more expansive understanding stressing the capacity to imagine alternatives, even if those alternatives tap the fantastic. Too often, focusing on contemporary problems makes it impossible to see beyond immediate constraints.
This tunnel vision perpetuates the status quo, and innovative voices —especially those from the margins — are shot down before they can be heard.
<span>A British soldier might probably say that they were more experienced in the field than Colonists and that they had more mercenaries, too. They hired professional soldiers that is why, they formed a very powerful army. However, their disadvantage was that the Colonists were hostiles and knew the land which they did not. <span>
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Answer:
Relief is the type of statue that is attached to the background.
The Peloponnesian war was bad for both sides as they suffer great losses and were must more vulnerable to outside attacks.
Explanation:
Relief sculpture is the art form of a non-freestanding sculpture. <u>It is the sculpture presentation attached to the background from which it can’t be separated. </u>The sculpture part “pops out” of the background, and it can be completely attacked, just a tiny bit getting out of the background, or nearly wholly out, but still partly attached. <u>Relief sculptures were often used in ancient art and they were found on many of the Greek temples, presenting various scenes from mythology and history.</u>
Peloponnesian War affected all of Greece and not just Athens which have lost the war. Back in ancient times, Greece wasn’t a singular country under the same government. There were many separate city-states with their own policies but connected with the same belief and language, so they would gather in the case of a foreign attack.
<u>However, the Peloponnesian war affected both Athens and Sparta – both city-states lost many people, many troops, as well as land</u>.<u> While Athens was completely crushed and deprived of its pre-war greatness, both cities suffered losses</u>. They were poorer than before and very crush with the losses. <u>Their mutual protection was also affected. In the case of the foreign attack, they wouldn’t (and couldn’t) protect each other, so they were both very vulnerable and prone to outside attacks. </u>
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The answer wold be High start-up costs.
