1) <span> The specific differences that I noticed in the two performances mentioned above are that t</span>he first one was very touching and totally emotional, I bet that the author wanted to make us go through this perfomance in the shouse of the characters but because of this decision it was kind of hard to concentrate on the words. In the seconfd performance these two points (emotional and textual) are balanced so it was more holistic.
2) The way how Michael Pennington reaches out to you as the audience in his performance of Hamlet's soliloquy is his personal attitude he expressed to those who came to watch it by looking right at the camera while delivering his soliloquy.
3) There is no photo or excerpt of the page that you have to analyze, and I can depend only on the Speech: “Friends, Romans, countrymen, lend me your ears” from Julius Caesar, spoken by Marc Antony. I think that any of line should be rid, or changed in tone, because this is the major point that shapes and reveals the Antony's character who is considered as a <span>superficial man.
Hope that helps!</span>
<em>The type of figurative language represented by the use of the word Selma in the provided stanza is allusion.
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<em>Allusion </em>is a brief and indirect reference to a person, place, thing or idea of historical, cultural, literary or political significance, in this particular case the 1965 civil rights march from Selma, Alabama, in which nonviolent protestors were attacked by police. Allusions are just passing comments about which the writer expects the reader to possess enough knowledge to noticeits importance in a text.
<em>The use of such figurative language affects the last line of this particular stanza by providung a description</em>. Even though the descriptions referred to persons or things in allusions are not fully detailed, its use enables writers or poets to simplify complex ideas and emotions.
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When Dante invokes the muses, he promises to tell of their greatness.
When the huge lifting bolt was in the sky into
