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azamat
3 years ago
7

What were the strengths and weaknesses of Mughal rule? What was the Mughal policy towards religious accommodation? How did it ch

ange over time? What factors account for the Mughal decline during the eighteenth century?
Social Studies
1 answer:
USPshnik [31]3 years ago
7 0

The policies of the empire , The religious tolerance during the reign of Akbar , the strong and disciplined army , Advanced war tactics are the strengths. Only weakness in mughal empire is the thirst for the throne and power.

Explanation:

Mughal empire ruled India over three centuries. Babur, Akbar, Humayun, Shahjahan and Aurangzeb, were all mighty and ambitious rulers. Mughal Military strength  was superior in the world. Aurangzeb was the most fierce ruler who killed his own brother and succeeded the throne. His aim was to convert the entire India into an Islamic country. But until Aurangzeb, other rulers were greatly tolerant towards Hindus. Mughal art and architecture flourished, Religious tolerance were at its peak during the mughal period.

The main reason of fall of the mighty Mughal empire was the bloody war of succession that completely exhausted its potency level. Marathas were the courageous warriors who under the leadership of Shivaji The great, were powerful in fighting against the mughal soldiers and thereby marked the fall of mughals. After which it was British who ruled India until 1947.

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2 years ago
Which of the following areas was not a part of the cotton belt? A) Charleston. B) New Orleans. C) Louisiana. D) New England
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3 years ago
Assess the role of artists as political activists
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Answer:

Explanation:

Several years ago we had the good fortune to ask the renowned activist artist Hans Haacke a

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How can you know when what you’ve done works?

He thought for a moment, and then replied,

I’ve been asked that question many times, and that question requires one to go around it

before one really avoids it.

Haacke’s response was meant to be humorous, but beneath it lay a serious problem: a general

aversion to conceptualizing the relationship between art, activism and social change. To be fair,

on the spectrum of artistic activism Haacke’s place is more toward the pole of the artist, and thus

his refusal to be pinned down by such a question merely conforms to the modern tradition that

valorizes art’s autonomy from society. Yet, even as we slide down the scale from expressive

artist to the more instrumental activist, the answer to the questions of how artistic activism works

to bring about social change and how to assess that impact remains elusive.1

This is a shaky foundation upon which to construct a rapidly growing field. Art schools have

devoted whole programs to the practice of arts and activism. Since Portland State University

launched the first of such programs, Art & Social Practice in 2007, the School of Visual Arts in

New York has added a department of Art Practice; CalArts: Social Practice & Public Forms; and

Queens College: Art & Social Action. New York University has two graduate programs devoted

to the intersection of arts and activism: Arts Politics in its performing arts school, and Art,

Education and Community Practice in its school of education and fine arts. Regardless of

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alone, NYU offered over twenty courses, across four schools and colleges, exploring the

interconnections between arts, politics and social activism. This academic interest has prompted

a slew of recent books on arts and activism, with a cursory search on Amazon.com under “art

and activism” returning a staggering 1,345 results.

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Home, Art and Everyday Activism. Over the past decade, the Queens Museum has centered their

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“Artistic Activism,” a term first popularized in scholarship by Chantal Mouffe and in the field by the Center for

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2

ambitious NYC-based arts institution, organizes yearly “summits” which bring together artistic

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now common in global activist NGOs like Greenpeace to local grassroots groups working on

immigration reform such as the New Sanctuary Coalition in NYC to develop “creative

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