Rabindranath Tagore works with symbolism through out the entirety of his poem, "We Both Live in the Same Village". He describes that feelings that a common villager has for Ranjana, by symbolizing them with depictions of the natural world.
For example, when "The yellow birds sing on their tree", the villager experiences happiness. When he writes that "her pair of pet lambs come to graze near the shade of our garden", he is describing how much pride and joy the villager has to be connected in some way to Ranjana.
Tagore also uses the symbolism to explain how these two people inhabit the same city, and how that proximity fuels the love of the villager for the girl. "The stars that smile on their cottage send us the same twinkling look." This exemplifies how both individuals are proximate to each other, the stars are looking at them at the same time because they live in the same village.
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Landscape with the Fall of Icarus" is a poem by one of the foremost figures of 20th-century American poetry, William Carlos Williams, first published in Pictures from Brueghel and Other Poems in 1962. The poem is a work of ekphrasis—writing about a piece of visual art—and is part of a cycle of 10 poems inspired by the paintings of 16th-century artist Pieter Bruegel (or Brueghel) the Elder. Both Bruegel's painting and this poem depict the death of Icarus, the mythological figure who died after flying too close to the sun, in a rather unusual way: in both works, Icarus's death—caused by a fall from the sky after the wax holding his artificial wings together melted—is hardly a blip on the radar of the nearby townspeople, whose attention is turned instead toward the rhythms of daily life. Tragedy is thus presented as a question of perspective, something that depends on how close one is (literally and emotionally) to the event in question.
Answer: The animals released in the wild are in danger because they are adapted to the ways of humans where they get fed and babied all the time.
