Answer: Beauty and the Beast
Explanation:
While Snow White includes many components that illustrate the idea of beauty is more than skin deep, Beauty and the Beast most effectively demonstrates this because the Beast is a true prince in disguise. Snow White is always a beautiful woman, with a kind soul. The only time she struggles with seeing beneath the surface is when the Evil Queen poisons her, and even then, the queen isn't dressed or disguised beautifully. In Beauty and the Beast however, the hideous monster that Belle thinks she will never be able to fall in love with, turns out to not only be the handsome prince of her dreams, but also is a truly wonderful soul that she falls in love with on its own.
Answer:
When Beowulf dies, his followers show up. Wiglaf criticizes them for their cowardice in leaving their king to fight the dragon by himself. Wiglaf tells them that they will not have the treasure, because they have disgraced themselves. They end up building Beowulf his funeral pyre and burying the dragon's hoard with his ashes.
Explanation:
1.) the time the action takes place
2.) vocal force or emphasis
3.) the highness or lowness of a tone
4.) alteration in pitch or tone or the voice
5.) helping verb
6.)systematic arrangement of the forms of a verb
7.)pause between sounds, words, or phrases
8.)stress, pitch, and juncture
9.)a verb that does not follow a regular pattern
10.) where vocal folds (cords) are located
(i tried my best to figure it out based on the basic definition sorry if any are wrong)
Literature and the Holocaust have a complicated relationship. This isn't to say, of course, that the pairing isn't a fruitful one—the Holocaust has influenced, if not defined, nearly every Jewish writer since, from Saul Bellow to Jonathan Safran Foer, and many non-Jews besides, like W.G. Sebald and Jorge Semprun. Still, literature qua art—innately concerned with representation and appropriation—seemingly stands opposed to the immutability of the Holocaust and our oversized obligations to its memory. Good literature makes artistic demands, flexes and contorts narratives, resists limpid morality, compromises reality's details. Regarding the Holocaust, this seems unconscionable, even blasphemous. The horrors of Auschwitz and Buchenwald need no artistic amplification.