Answer:
Any sensory detail or evocation in a work is called <u>imagery.</u>
Explanation:
Imagery is the ability to represent objects, situations, places, ideas, or beings in our minds. We can create them thanks to the use of figurative language, in combination with our senses. Together they evoke feelings, experiences, and memories that make representations in our minds.
For example, if someone is telling a story and describing a place on it. We can picture it in our minds thanks to the words and the experiences that we had.
<span>The language of the Anglo-Saxons (up to about 1150), a highly inflected language with a largely Germanic vocabulary, very different from modern English.</span>
Answer:
It"s Etymology
Explanation:
Etymology is the study of words
To be reticent is to not reveal one's thoughts readily. In this case, it is the reticence of the author. The author does not reveal their thoughts readily. If the narrator or author refuses to do something, it is made known that he is doing something. The something here is him refusing. If he acts as if the situation is normal, I'd assume he is acting in such a way that would be nonreactionary of the actions from the provoker. I would safely choose the last option as sorrentino's exercising of authorial reticence.
I am pretty sure that it is it welcome
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