The functionalist perspective argues that ethnic
differentiation may be dysfunctional because it reduces consensus and increases
the chances of conflict.
<span>The </span>functionalist<span> perspective, also called </span>functionalism, is one of the
major theoretical perspectives in sociology. It has its origins in the works of
Emile Durkheim, who was especially interested in how social order is possible
or how society remains relatively stable.
Answer:
Superego.
Explanation:
Superego is seen to be one of the key components of Sigmund Freud's psychoanalytic theory of personality. This according to research is said to have been practically been acquired from our parents directly or indirectly. Superego is explained to work in a way that it is seen to suppresses the urge of its identity and makes its urge to behave in a moral way instead of being realistic about it.
It sometimes include rules and standards for good behaviors seen to involve those that are been authorized by our parents or authorities that has value of are held of high respect by us. These rules leads us to feelings of pride, value, and accomplishments when we find ourselves obeying or following them religiously and breaking them make us full of guilt.
The last step to take when shutting off the entire welding unit after all welding is complete is releasing the adjusting screws on the pressure regulators.
Welding is a process of joining materials, usually metals or thermoplastics, It involves using high heat to melt the parts together. It also allows them to cool, causing fusion.
It involves various steps before and after welding.
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Answer:
The term is corrections.
Explanation:
In criminology, the variety of programs, organizations, facilities, and services in charge of managing the people accused or convicted of crimes is called corrections. From that definition, we can see "corrections" is an umbrella term, unfolding into different categories. It includes, for instance, prisons and community service, or the very people responsible for supervising the criminals.
Answer:
Director Robert Mulligan decided to film To Kill A Mockingbird (1962) in black and white, though color technology was widely used at the time. The black and white film allows the audience to see those divisions more clearly and to experience them as the characters in the movie are experiencing them.
