During the Second Industrial Revolution, as factories were built around train depots,

What was the purpose of the Seneca Falls Declaration of Sentiments?

Citrus2011 [14]

Answer:

the ans might be option d ..

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2 years ago

Why is the Hebrew Bible sacred to both Christians and Jews

bogdanovich [222]

The Hebrew Bible is the Torah.

This Torah makes up part of the old Testament in the Bible, which has an old testament and a new testament

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3 years ago

Who did presdient kennedy choose to be the dictator for the peace corps

kvasek [131]

Kennedy chose his brother-in-law R. Sargent Shriver to head a task force to outline the development of the Peace Corp and then to a eventually head the Peace Corp.

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3 years ago

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Why did Maria and Julian Martinez demonstrate pottery making at expositions? How did it benefit the Pueblo community?

Alja [10]

Answer:

Explanation:Born Maria Antonia Montoya, Maria Martinez became one of the best-known Native potters of the twentieth century due to her excellence as a ceramist and her connections with a larger, predominantly non-Native audience. Though she lived at the Pueblo of San I.l.d.e.f.o.n.s.o, about 20 miles north of Santa Fe, New Mexico, from her birth in 1887 until her death in 1980, her work and her life had a wide reaching importance to the Native art world by re-framing Native ceramics as a fine art. Before the arrival of the railroad to the area in the 1880's, pots were used in the Pueblos for food storage, cooking, and ceremonies. But with inexpensive pots appearing along the rail line, these practices were in decline. By the 1910's, Ms. Martinez found a way to continue the art by selling her pots to a non-Native audience where they were purchased as something beautiful to look at rather than as utilitarian objects. Her mastery as a ceramist was noted in her village while she was still young. She learned the ceramic techniques that were used in the Southwest for several millennia by watching potters from San I.l.d.e.f.o.n.s.o, especially her aunt N.i.c.h.o.l.a.s.a as well as potters (including Margaret T.a.f.o.y.a from Santa Clara), from other nearby Pueblos. All the raw materials had to be gathered and processed carefully or the final vessel would not fire properly. The clay was found locally. To make the pottery stronger it had to be mixed with a temper made from s.h.e.r.d.s of broken pots that had been pounded into a powder or volcanic ash. When mixed with water, the elasticity of the clay and the strength of the temper could be formed into different shapes, including a rounded pot (known as an o.l.l.a) or a flat plate, using only the artist’s hands as the potting wheel was not used. The dried vessel needed to be scraped, sanded, smoothed, then covered with a slip (a thin solution of clay and water). The slip was polished by rubbing a smooth stone over the surface to flatten the clay and create a shiny finish—a difficult and time-consuming process. Over the polished slip the pot was covered with designs painted with an iron-rich solution using either pulverized iron ore or a reduction of wild plants called g.u.a.c.o. These would be dried but required a high temperature firing to change the brittle clay to hard ceramics. Even without kilns, the ceramists were able to create a fire hot enough to transform the pot by using manure. Making ceramics in the Pueblo was considered a communal activity, where different steps in the process were often shared. The potters helped each other with the arduous tasks such as mixing the paints and polishing the slip. Ms. Martinez would form the perfectly symmetrical vessels by hand and leave the decorating to others. Throughout her career, she worked with different family members, including her husband Julian, her son Adam and his wife Santana, and her son P.o.p.o.v.i D.a. As the pots moved into a fine art market, Ms. Martinez was encouraged to sign her name on the bottom of her pots. Though this denied the communal nature of the art, she began to do so as it resulted in more money per pot. To help other potters in the Pueblo, Ms. Martinez was known to have signed the pots of others, lending her name to help the community. Helping her Pueblo was of paramount importance to Ms. Martinez. She lived as a proper Pueblo woman, avoiding self-aggrandizement and insisting to scholars that she was just a wife and mother even as her reputation in the outside world increased. Maria and Julian Martinez pioneered a style of applying a matte-black design over polished-black. Similar to the pot pictured here, the design was based on pottery s.h.e.r.d.s found on an Ancestral Pueblo dig site dating to the twelfth to seventeenth centuries at what is now known as B.a.n.d.e.l.i.e.r National Monument. The M.a.r.t.i.n.e.z.e.s worked at the site, with Julian helping the archaeologists at the dig and Maria helping at the campsite. Julian Martinez spent time drawing and painting the designs found on the walls and on the s.h.e.r.d.s of pottery into his notebooks, designs he later recreated on pots. In the 1910's, Maria and Julian worked together to recreate the black-on-black ware they found at the dig, experimenting with clay from different areas and using different firing techniques. Taking a cue from Santa Clara pots, they discovered that smothering the fire with powdered manure removed the oxygen while retaining the heat and resulted in a pot that was blackened. This resulted in a pot that

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Explain how the terms and names in each group are related.

marysya [2.9K]

<h2>Ellis Island</h2>

Located in the U.S. states of New York and New Jersey, Ellis Island is a federally owned island that was formerly the busiest immigration screening and processing facility in the country. Nearly 12 million immigrants who arrived at the Port of New York and New Jersey were processed there in accordance with federal law between 1892 and 1954. It is now a component of the Statue of Liberty National Monument and is only reachable by ferry for the general public. The main structure, which is now a national museum of immigration, is located on the northern part of the island. Only guided tours are available for the public to access the island's southern portion, which includes the Ellis Island Immigrant Hospital.

<h2>Angel Island</h2>

San Francisco Bay has the island of Angel Island. Angel Island State Park, which is run by California State Parks, covers the entire island. The island, a California Historical Landmark, has been used by humans for many different things, including seasonal hunting and gathering by indigenous peoples, supplying water and wood to European ships, ranching by Mexicans, US military installations, a US Public Health Service Quarantine Station, and a US Bureau of Immigration inspection and detention facility. A million immigrants, mostly from Asia, were imprisoned, inspected, and evaluated by officials at the Angel Island Immigration Station, which is now a National Historic Landmark and is located in the northeastern part of the island.

<h2>Chinese Exclusion Act</h2>

On May 6, 1882, President Chester A. Arthur signed the Chinese Exclusion Act, a federal law that forbade the entry of any Chinese laborers for ten years. Merchants, educators, students, travelers, and diplomats were not covered by the statute. The Chinese Exclusion Act, which built on the earlier Page Act of 1875, which prohibited Chinese women from emigrating to the United States, was the first law ever passed to do the same for an entire ethnic or national group. The first notable law limiting immigration to the US was the Chinese Exclusion Act of 1882.

To learn more about Angel Island from the given link.

brainly.com/question/8930263

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