Answer:
Step-by-step explanation:
Problem One (left panel)
<em><u>Question A</u></em>
- The y intercept happens when x = 0
- That being said, the y intercept is 50. It was moving when the timing began.
<em><u>Question B</u></em>
The rate of change = (56 - 52)/(3 - 1) = 4/2 = 2 miles / hour^2 (you have a slight acceleration.
<em><u>Question C</u></em>
- 60 = a + (n-1)d
- 60 = 50 + (n - 1)*2
- 10/2 = (n - 1)*2/2
- 5 = n - 1
- 6 = n
The way I have done it the domain is n from 1 to 6
Question 2 (Right Panel)
<em><u>Question A</u></em>
The equation for the table is f(x) = 3x - 3 which was derived simply by putting all three points into y = ax + b and solving.
- f(0) = ax + b
- -3 = a*0) + b
- b = - 3
- So far what you have is
- f(x) = ax - 3
- f(-1) = a*(-1) - 3 but we know (f(-1)) = -6
- - 6 = a(-1) - 3 add 3 to both sides
- -6 +3 = a(-1) -3 + 3
- -3 = a*(-1) Divide by - 1
- a = 3
- f(x) = 3x - 3 Answer for f(x)
- The slope of f(x) = the coefficient in front of the x
- f(x) has a slope of 3
- g(x) has a slope of 4
<em><u>Part B</u></em>
- f(x) has a y intercept of - 3
- g(x) has a y intercept of -5
- f(x) has the greater y intercept.
- -3 > - 5
2016 - 1921 = 95
Hope this helped!
The answer is 2/3 for a fraction and the decimal number is 0.6666666667
Answer:
45
Step-by-step explanation:
the left and right side are symetrical
Since the plot of "The Wife of Bath's Tale" has at its heart a loathly lady who shape-shifts into a beautiful, young damsel, we might expect appearances to be important here. And they are, just not for the reason you might think. For instead of this being a tale about how a knight learns to appreciate people for what's on the inside and that outer appearances don't matter, it's a tale about how a knight learns to give up sovereignty to his wife. That sovereignty includes power over the body. The loathly lady's physical appearance becomes an important symbol of that body, so that, at the end of the tale, when she offers her husband a choice about how he wants her to look, she's in essence offering him control of her body. He grants this control back to her, thus proving his understanding of the doctrine of women's sovereignty in marriage. Medieval stories don't necessarily go in for the whole 'appearances don't mean anything' maxim anyway, as we've seen in the "General Prologue<span>."</span>
