Answer:
a.Yolanda is using problem-focused coping; Fae is using emotion-focused coping.
Explanation:
Yolanda lost her job and immediately began to search for another job, submitting her resume, while Fae sought out the help of her friends to overcome the grief of losing her job.
Yolanda is trying to cope with the grief and sadness of suddenly losing her job by going out to search for other jobs and submitting her qualifications and resume which is problem focused coping.
While Fae is trying to cope with the grief of the loss of her job through the help of friends. This is emotion focused coping.
Answer:
They are not both slaves. An indentured servant works for room and board and passage to the New World for a set amount of time and still has rights and was treated humanely.
Explanation:
Answer:
Listeners can become lost
Explanation:
Informative speakers need to judge their audience before they speak. They need to know some facts about their listeners, where do they come from, from which background socially and ethnically, and they may want to know something about their religion or interests. This way they can judge the level of the audience's knowledge about the subject they will speak upon.
If the informative speakers overestimate the listeners' knowledge on a particular subjects, the listeners will become frustrated because they won't understand what the speakers are telling them. They may consider themselves to stupid or not knowledgeable enough to listen to this speech. After trying to understand, they give up in the end and <em>can become lost</em>, not understanding the speaker and the topic he speaks upon.
<span>"Visual poetry" can be defined as poetry that is meant to be seen - poetry that presupposes a viewer as well as a reader.
Visual poetry, was made as an approach to consolidate picture and poetry. The significance of dialect is underscored in this sort of art, as the shapes the words make are similarly as critical as what they say. Literary scholars have distinguished visual poetry as an improvement of solid poetry yet with the qualities of intermedia in which non-authentic dialect and visual components prevail.
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