Explanation:
Question 9 A machine is applying a torque to rotationally accelerate a metal disk during a manufacturing process. An engineer is using a graph of torque as a function of time to determine how much the disk's angular speed increases during the process The graph of torque as a function of time starts at an initial torque value and is a straight line with positive slope. What aspect of the graph and possibly other quantities must be used to calculate how much the disk's angular speed increases during the process? The slope of the graph multiplied by the disk's radius will equal the change in angular speed The area under the graph multiplied by the disk's radius will equal the change in angular speed. The slope of the graph divided by the disk's rotational inertia will equal the change in angular speed. The area under the graph divided by the disk's rotational inertia will equal the change in angular speed. The area under the graph multiplied by the disk's rotational inertia will equal the change in angular speed E
Answer:
Explanation:
From frequency of oscillation
Initially with the suspended string, the above equation is correct for the relation, hence
where k is force constant and m is the mass
When the spring is cut into half, by physics, the force constant will be doubled as they are inversely proportional
Employing f2/ f1, we have
god is mighty not only did he create the universe but also everything in it
but here's the answer 93 billion light years
Because in reality there are frictional forces acting on the ball, against the direction of its motion. In fact, because of the friction between the ball and the surface, the ball loses little by little its energy, so its velocity decreases and eventually it stops.
In an ideal world with no friction, there would be no forces acting on the ball, so its energy must be conserved and this means that the ball would continue its motion forever.
The answer to this question is two violins, a viola and a cello
The string quartet is one of the earliest form of musical ensembles in history. This form of ensembles was brought to recognition by the Austrian composer Joseph Haydn<span>, with his works in the 1750s establishing the genre and this form is still considered one of the hardest ensembles because each player has to cover a lot of parts within a session.</span>
